Undercooked: the three types of food TV

Cookery shows have very little to do with the fine art of gastronomy. They’re aspirational, set in the kitchens that we want, in the houses we dream about. If you try making a dish out of the recipes shown on these shows, you’re pretty much guaranteed to come a cropper. Either that, or the washing up afterwards will be of biblical proportions.

I reckon there are three different kinds of cookery shows. First, there’s the celebrity chef show, which is as close as you get to a standard cooking sketch these days. They take all their cues from the master of the form, dear old Keith Floyd. Four or five dishes will be prepped in a modicum of detail. If there is shopping to be done beforehand, the chef will go to a picturesque deli in an upmarket street, and definitely not Asda.

There will be very little chopping. Some of the ingredients will be in bowls, in tiny dice. Everything will be impeccable. There will be no limp mushrooms or half open packs of bacon here. The kitchen will be spotless, and the size of an aircraft hanger. The chef will waft through it all, airily informing you what a simple mid-week supper a samphire and duck liver souffle can make. Oh, and the word supper gets used a lot. The only supper I’ve ever been interested in is the one that comes out of a chippy.

Then we have the travelogue, where the chef goes on holiday and cooks a few meals along the way. Wacky transport will be involved here – giant RVs, motorbikes, barges, specially adapted VW campers. Inevitably, the cooking sketches are either on a beach, a harbour or in a town square. The food will be cooked on a tinpot gas range, and there will be tame locals on hand to taste whatever comes off that grill and mildly insult it. There will be lots of shots of very pretty scenery. it will be very nice, but faintly dull.

At the bottom of the barrel there are the reality shows. These attempt to redefine cookery as combat, pitting one chef against another in an orgy of ego, tantrum and spilt dairy. There will be lots of fast cutting and sweaty closeups. The host will frown a lot.
The music will be better suited to an action movie, and there will be a pause before the winner of the show is announced that lasts for the length of the last ice age. They have as much to do with cookery as The Weakest Link, and are about as entertaining. Except Iron Chef. That’s so lunatic that it’s crossed over into genius.

Delia is the exception to the rule, but she’s more of a national institution than a cook these days.

Come back tomorrow, when I’ll discuss whether it is actually possible to get decent cooking tips from a TV show. Now, if you’ll excuse me, all this talk of grub has made me a bit peckish. I’m off for a zebra carpaccio with smoked green tea foam on rye. So easy to make, you know.

Low Gear

It is perhaps the BBC’s biggest money-spinner, generating millions of pounds in revenue. You can buy books, a monthly magazine, toys and games and even cakes emblazoned with the images of the hosts. It’s enormously popular, boasting a loyal and worldwide fanbase.

It’s Top Gear, and I hate it. It’s a prime example of safe Sunday programming that just plods on and on and on doing the same old stuff week after week. It’s turned into a smug, bloated cliche. It’s not even interesting enough for satirists and comedians to have a pop at it now. It just sits there, taking up a chunk of primetime scheduling, getting in the way and stinking up the joint. It’s like Last Of The Summer Wine for petrolheads. Songs of Praise for the sort of person that buys every new Clapton compilation, regardless of how many versions of the same songs they own.

Why do I hate Top Gear? Let me count the ways.

Continue reading Low Gear