I promised you some happiness. This is as close to an ode to joy as any I’ve heard in a while. It gets played at least once a day without fail.
I promised you some happiness. This is as close to an ode to joy as any I’ve heard in a while. It gets played at least once a day without fail.
CANNES – Werner Herzog and David Lynch are teaming for My Son, My Son, a horror-tinged murder drama based on a true story.
Herzog and his longtime assistant director Herbert Golder co-wrote the film, loosely based on the true story of a San Diego man who acts out a Sophocles play in his mind and kills his mother with a sword. The low-budget feature will flash back and forth from the murder scene to the disturbed man’s story.
And the news only gets weirder from there, people…
(Via Coilhouse.)
Best to be on the safe side, eh? I mean, they could be hiding behind some bushes.
Yes, yes, I know. Hopefully you’ve been on tenterhooks for the new chapter. Swear to god, twice weekly updates from now on. I had my head turned by an experiment with a couple of other blogging platforms that really didn’t work out. My hair is now shorter and grayer than it was a couple of weeks ago.
Aaaanyway. Chapter three.
PART ONE
NOVEMBER
Chapter One
The journey from Berkshire up to the school took twelve hours, and my father and I spent most of that time in silence. As the train clattered through a landscape that became more colourless and desolate as we headed north, I tried to make sense of the emotions he would sometimes allow to flit across his stony visage. I was used to see him angry and sad, but crammed in the confines of the smoky, humid second-class carriage where we’d formed a tiny base camp made up from my trunks and valises, he allowed his defences to slip enough to show me something new.
Fear. Every time he looked at me now, he looked afraid.
I knew better than to ask where this had come from. As we stepped onto the train at Maidenhead, he had fixed me with the look I had come to recognise as the precursor to the laying down of a new law.
“There will be no conversation on this train,” he said. “There will be no idle chit-chat, no musing on the state of the country, no speculation on the marital status or love lives of those idiotic movie stars you seem to find so fascinating. I expect to hear nothing from you until I put you into the care of the staff at St. Anne’s, and at that point the only words I wish to hear from you will be “Goodbye, Father.” Do I make myself adequately clear?”
I nodded mutely. Arguments were utterly pointless when father spoke to me like that, although Lord knows I’d tried enough times. It was like running into a brick wall and, if I got him angry enough, would raise the same kind of bruises.
So, twelve hours in a train with a man who had forbidden me to speak, who had not provided me with a book, a magazine, or any kind of entertainment apart from the view from the besmeared window. After I tired of watching my father, I settled myself into a cramped corner and watched the sky cycle steadily from blue to a deep, bloody red. I was not a dreamer, and was incapable of the kind of pointless babble that had been put under embargo. It showed how little he knew of me. I contented myself with the sky, and the cheese sandwich he wordlessly handed to me at lunchtime from the brown paper bag that was his only luggage. They were scant comfort for a girl of ten who was about to be abandoned by her family, 500 miles from home.
We changed trains at Inverness in rapidly failing twilight. My father, cursing under his breath at the lack of porters, somehow managed to manhandle my baggage onto the much smaller local service that would take us through to the coast. As light relief, he enjoyed a hissed altercation with a gentleman in a tight tweed suit who tried manoeuvering himself into our carriage, in the thin gap remaining between my steamer trunk and me. It was a pointless argument really. As my father made it clear using words I’d never heard from him before, we were the only three passengers on the train.
Once we disembarked at Pitlotchery, the darkness was absolute. The gentleman in the tweed suit watched us as we waited on the platform for the charabanc to take us on the final leg of the journey. He mouthed a single word at my father, a word that twisted his face into an angry mask. His face was livid in the light flooding out of the train compartment as it pulled away. Father shook his head as the train shouldered its way into the blackness at the end of the platform.
“The thing about idiots,” he said, “is that you’ll never have to worry about looking for them. They’ll always find you.” It was the first thing he’d said to me since we’d crossed the border into Scotland.
Beginning today, I am serialising my first novel, written in a fume of creative smog in the winter of 2006, and spring of 2007. The reasons for this are numerous, but break down into a couple of major components.
It’s been an unsettling few weeks for me. 2008 has become The Year Of Change in a lot of ways, and many of the people I’m closest to have changed careers or moved on in some way. I’m not immune to that process. I’ve been at risk of redundancy for the last couple of months. That’s fortunately no longer a problem, but my workplace and responsibilities have changed, and pretty rapidly. I can’t really discuss what I’ll be doing over the next 18 months or so. Let’s just say it’s a decent sized project for a very prestigious client, and it’s extremely flattering that my name was the first one discussed to spearhead it.
Nonetheless, the situation has got me thinking. With the changes at work, and being without a computer for a fat chunk of June, I’m reappraising my online and creative life. In short, I need to get some shit done, and the blog needs to reflect that. I was reading a post Warren Ellis put up recently regarding the way blogs need to be more than simple linkdumps if they’re to be of worth. I’m as guilty of this as anyone, although I try to avoid the obvious stuff and give a link a little context. The rapid spread of a meme online is of course a part of why the internet is so important. But as Warren says, there are plenty of places to find an instant web hit of funnitude. I’ve got an RSS reader full of that stuff, and The Ugly Truth does not need to be that place.
So, here’s what I’m thinking. I claim to be a writer of fiction, and TUT needs to be a place where I can showcase that. It’s entirely likely that I will completely retask the blog into a proper website over the next couple of months, featuring new and archive writing. In the meantime, I will attempt to throw up some flash fiction (under 1000 words) and, for your delight and delectation I will also begin serialising my first novel SATAN’S SCHOOLGIRLS. At the end of that run, I should be in a position to offer a paperback copy with original cover artwork at a knockdown price. My toedip into the waters of the new self-publishing business model.
All this starting on Monday, presuming that I’m done watching season 4 of The Wire of course…

This is a pretty brand new cafe located at 3030 Bristol St., Costa Mesa. The parking log signs in back says the cafe’s name is ‘Chaya & Total Relax’ but this pix is of the sign out front.
Lots of tables, tons of magazines and manga comic books, smoothies, coffees, boba milk tea, and unique selection of Japanese cuisine. Free wifi. Internet terminals available. 2 fancy electronic massage chairs were available for free use with a button-filled console almost as complicated as the starship Enterprise. Membership for something I didn’t recognize b/c I don’t read Japanese.
They don’t have a business card yet, and don’t have a takeout menu. Hours from 11:30am to 1:00am (or later).