I love a trip to Tate Modern. It’s always good to visit old friends like the brooding Room of Rothkos and my favourite Jackson Pollack. The curators are also good at refreshing the displays, so that if you visit a few times a year, you’re always certain to come across something new.
Staircase-III stopped us in our tracks. Do Ho Suh’s huge sculpture is a representation of the stairwell to his Manhattan apartment, hanging about ten feet off the floor. There are clear nods to Rachel Whiteread in the casting of an architectural feature, but the use of sheer cherry-red nylon gives the piece all kinds of different connotations. I pass a few staircases in Soho every working day that glow with that kind of colour.
But somehow there’s no feeling of threat or sleaze. Unlike most dark-lit stairwells, you can see exactly where this one leads. Dom called it a Stairway To Heaven, and you can see what he means. Don’t forget, in China the colour red signifies good fortune.
Staircase-III has a room all to itself and it was full of people, gazing up with smiles on their faces. I love this piece. It’s warm, optimistic and dare I say it–sexy?