An Excuse and a bit of drama

This week has rinsed me out more than I thought. The Day Job has challenged my patience to extremes. House Beast Millie developed a case of conjunctivitis, which had us running around to vets and organising weekend cover to get someone in to give her eyedrops. Have you ever given a cat eyedrops? It’s dramatic and potentially scarring.

Meanwhile, a side effect of trying to stay away from the news this week means I have a paucity of links for to Swipe at you. Therefore, I offer apologies and a little something from the archives.

2025 marks the tenth birthday of an audio drama that pal Clive and I put out when we were podcasting regularly (links to both the Speakeasy and the A-Z OF SFF are in the sidebar if you want to explore a bit), an attempt to expand the remit and try something different.

For reasons lost in the mists of time we decided to make an episode of a fictional 1930s horse opera—a cowboy comic in audible form featuring a whip-bearing protector of the plains and his Native American sidekick. We corralled a few friends and performed a script what I had wrote, then wrangled it into crude shape in GarageBand.

It’s not the most polished bit of radio you’ll ever hear. Performances veer from barely there to scenery-chewing, the mix is a bit weird and let’s be honest, our enthusiasm for recreating the spirit of the times makes it a bit tin-eared towards the sensitivities of the present day. Approach with caution if you’re easily offended.

However. It was a thing that we spent time, love and energy on and I’m still pretty fond of Whip Crackaway, janky edits, wobbly sound levels and all. It was fun to make and features a wonderful moment where due to casting constraints forcing us to double up on some roles, Clive was forced to flirt with himself.

So settle in, pour a glass of something warming, light up a Caversham and let the Speakeasy Players perform for you.

The Adventures Of Whip Crackaway And Honcho The Indian Boy

See you next Saturday, cowpokes.

Final Light: My second weekend as co-producer+ on Out of Hours

Stu Wright is here again to give us the lowdown on the final day of filming on Out Of Hours, the short film he’s co-written with Leading Man Clive. There’s a ton left to do. Blood and other fluids will be spilt…

(Oh, and hey, watch your feet. There are SPOILERS about, and you don’t want to get them on your shoes…)

Continue reading Final Light: My second weekend as co-producer+ on Out of Hours

God’s own light: My second weekend as co-producer+ on Out of Hours

I’m handing over the blog for the next couple of posts to the mighty Stuart Wright, co-writer, producer and man of many talents on short film Out Of Hours. The second weekend of shooting on location at a Central London office block saw a smaller crew, and a bigger challenge. There was plenty of footage still to get. How would our brave crew cope? Stu fills us in after the jump…

(as ever, please be mindful of the SPOILER ALERT)

Continue reading God’s own light: My second weekend as co-producer+ on Out of Hours

Darker Light: My Weekend As An AD – Day 2

Previously: I have volunteered to be second assistant director on a short film shoot directed by Leading Man Clive. I am desperately inexperienced, getting by on enthusiasm and a puppyish urge to please. We go into day two of the shoot with no illusions as to the size of the task ahead of us…

NOW READ ON, and be mindful that there is a SPOILER ALERT running…

Continue reading Darker Light: My Weekend As An AD – Day 2

Available Light: My Weekend as an AD – Day One

This weekend was something of a change from the norm for me. Instead of chiling out and maybe watching a movie, I was running around helping to make one. It was one of the most exhausting and rewarding couple of days I’ve spent in a looong time.

[Please note, there is a SPOILER ALERT in operation after the jump.]

Continue reading Available Light: My Weekend as an AD – Day One