The Cut ⚔️ Issue 22

“But he had spent so much of his life insisting that he was right that to admit he was wrong then would have been to raise the terrible shadow of what else he was wrong about. A strong man can’t be wrong.” (from “The Pursuit of William Abbey” by Claire North)

Now is the time. Here is the place. This is The Cut.

Continue reading The Cut ⚔️ Issue 22

The Cut ⛏ Issue 20

Praise the Lard and pass the ammunition! Issue 20 marks our five-month anniversary of blogtastic linkeration. Stopping is now no longer an option. We’re too far in now. As we shift into Season Three of The Situation, please take comfort in the ever-present point in your weekly schedule that includes this slumgullion of nerdery. We know what you like. Well, we know what we like. If you like it too, that’s the bonus.

This week, we check in with one of the great but near-forgotten voices of Britpop, look at the work that went into an iconic piece of cinema, and wonder what would have happened if HG Wells had been paid a visit from a certain visitor from Venus.

Now is the time. Here is the place. This is The Cut.

Continue reading The Cut ⛏ Issue 20

The Cut ⚔️ Issue 18

We’re told to go out. We’re told to stay in. We’re told we can gather in groups. No, not that many people. The Situation changes with every passing day. Is there nothing on which you can depend?

Just us, o Readership. The Cut’s record of dependability, of delivering what we say when we say, speaks for itself. That’ll probably fall over next week. Until it does we are the only publication you can trust.

This week, free jazz against fascism, the joy of rice and a profile of the actor everyone hated. Now is the time. Here is the place. This is The Cut.


A wide-ranging music section this week. We begin in Tupelo, the town with a righteous claim to fame–it’s produced more Elvis tribute artists than anywhere else. What, you think they just come out of thin air? There’s training involved here, folks! There’s hairstyle instruction! It’s a competitive field, and the rewards are manifold…

https://www.atlasobscura.com/articles/elvis-tribute-artists-tupelo

It would be easy to diss Mariah Carey. She is a figure ripe for parody and ridicule. But that hasn’t stopped her from becoming an iconic singer and recording artist with a trunkful of hits. She’s also done it her way, writing her own tunes and living her life as it suits her best. You may not be a fan of her music, but after reading this Vulture profile you may be more appreciative of the woman.

https://www.vulture.com/article/mariah-carey-rarities-profile.html

Marc Bolan was the very definition of the star that shone brightly for far too short a time. A prime architect of glam rock, an early and enthusiastic supporter of punk rock and the guy who could rock a feather boa like no-one else. With the release of a covers album of his music, Alexis Petrides looks at the man and the glitter bomb he exploded over the seventies. There’s even a helpful Spotify playlist of deep cuts to get you in the mood.

https://www.theguardian.com/music/2020/sep/04/marc-bolan-perfect-pop-star-t-rex-singer-tribute-album-elton-john-u2

To close out the music section, a quick look at a loose but ferocious collection of musicians using free jazz as a form of anti-fascist protest in Denmark. We can’t help but think bringing the noise is an excellent way of turning the tables on a very nasty resurgence in far-right agitation.

https://www.vice.com/en_us/article/k7q54a/jazz-far-right-denmark-rasmus-paludan

Right, we’ve got the tunes, let’s head to the kitchen. Who here likes fried rice? Mmhmm, thought so. How about pancakes? Yes, as expected. In that case, my hungries, have we got a treat for you!

https://www.bonappetit.com/story/fried-rice-pancakes

For such a simple food, rice is surprisingly contetious. We linked in Issue 12 to the irascible Uncle Roger and his horrified reaction to Western takes on egg fried rice. Best not to get involved in any discussion on jollof–as Jamie Oliver discovered, the one point on which Ghanaian and Nigerian opinion meshes on the subject is how badly he messed up the iconic African rice dish when he tried to make it. The Guardian looks more closely at one of the world’s staple foods, and how different cultures treat the grain.

https://www.theguardian.com/food/2020/sep/03/grain-of-truth-i-once-saw-a-chef-cook-80-kilos-of-rice-in-a-combi-oven

Yes, yes, we know, a lot of Guardian links in this week’s Cut. We will not apologise for including this brilliant piece on rewilding farmer Derek Gow. Pressure on the land has never been higher as an increasing population demands cheap food. Returning rural landscapes to a better natural balance instead of trying and failing to bend it to our will has real and quick-to-see benefits for everyone and everything. Bring back the beavers!

https://www.theguardian.com/environment/2020/sep/04/its-going-to-be-our-way-now-the-guerrilla-rewilder-shaking-up-british-farming-aoe


We start our entertainment section with a review of a movie featuring an absolute cracker of a cast. Who wouldn’t want to see an action thriller starring John Rhys-Davies, Laura Dern and George Clooney? Grab your popcorn and settle back, Readership. Let’s enjoy Grizzly 2!

https://www.theringer.com/movies/2020/8/31/21406226/grizzly-ii-george-clooney-laura-dern-john-rhys-davies

Hannah Berry is Britain’s current Comics Laureate. Her work is funny, sharply-crafted and thoughtful. In this article for the British Council, she’s clear-eyed but sombre on the state of the comics nation and the challenges anyone who wants to make a living in the Realm of The Ninth Art will face. Now more than ever, it’s tough to be a star of the gutters. As Jack Kirby said, ‘comics will break your heart.’

https://literature.britishcouncil.org/blog/2020/comics-in-crisis/

Rex Harrison made a living portraying a particular kind of Englishman–the stiff upper lip personified. A little cold, emotionally distant but with a warm core. Away from the stage and cinema screen, Harrison was all that and less, with hardly any sense of redeeming features. The warmth he brought to his roles was replaced by a block of ice. In short, he was a monster and universally disliked. Graham McCann profiles him for the British Comedy Guide. We remain astonished that he got as far as he did with the attitude he presented to the world.

https://www.comedy.co.uk/features/comedy_chronicles/rex-harrison-his-greatest-hits/

One for the writers among us. Punctuation is a vital part of clear communication–the difference between ‘let’s eat, Grandma’ and ‘let’s eat Grandma.’ For many, though, proper punctuation is just not that big a deal. Why sweat a misplaced apostrophe? We at The Cut understand both stances, realising that language is an ever-changing situation. It’s still important to understand the rules in order to break them, we feel. And a little historical perspective never hurt. Therefore, although we appreciate this is not for everyone, we urge you to check this look at the history and evolution of punctuation.

https://aeon.co/essays/beside-the-point-punctuation-is-dead-long-live-punctuation

This week’s Exit Music is brought to you by the NPR Tiny Desk Concert series. Or rather, the new iteration now that musical artists can’t cram into Bob Boilen’s office to play and sing. The acclaimed series of short, intimate shows is now being recorded by musicians at home, but it was clear viewers missed the iconic backdrop of shelves crammed with memorabilia.

How then, do Billie Eilish and her brother Finneas look as if they’re in Seattle as they present two recent songs? The answer is refreshingly low-tech, and worth sticking around to the end to see. Also, we like Billie’s way with a tune.

See you in seven.

The Cut 🪓 Issue 17

Good gravy, it’s Friday! It’s September! We’re coming up on six months since lockdown loomed up on us and the streets emptied. It seems like all the time in the world and a blink of the eye all at once. Join us as we look at religion in SF, the stories we can’t write any more and the most delicious food you can’t eat.

Now is the time. Here is the place. This is The Cut.


As writers, we can be said to spend our lives dreaming on paper. The life of the mind can be as real, and certainly more attractive than the one we live in every day. For certain people, the pull of a daydream world becomes so seductive that they begin to retreat into it…

https://www.bbc.co.uk/news/resources/idt-sh/the_daydream_that_never_stops

Cheers is one of those shows fondly remembered by everyone, mostly because of the great writing and vibrant, many-layered characters. There were some early casualties to the clientele, most notably one who didn’t make it past the pilot. Whatever happened to Mrs. Littlefield?

http://www.dirtyfeed.org/2020/04/heres-to-you-mrs-littlefield/

We kick off our food portion of The Cut with a new feature we like to call Recipe Of The Week (there will probably be a change in that title, but we’re running up against deadline, here). This week, check out Food52’s guide to a proper deep-crust Detroit-style pizza that’s a seriously cheesy, crunchy, saucy treat!

https://food52.com/recipes/82857-crispy-cheese-pan-pizza-recipe

We are binging the latest series of Chef’s Table on Netflix on the art of barbecue. The show focuses on the best of the best, but we feel they missed a name. Let us, via, Eater, introduce you to Tom Ellis who runs live-fire grills for big corporate events and celebrations. There’s some clever and refined techniques on display here, and as Tom himself admits, no small element of theatre…

https://www.eater.com/2020/8/26/21401422/how-swell-party-grill-master-tom-ellis-uses-open-fire-cooking-to-make-a-feast

You don’t often see Serious Eats taking about anime. But when they focus on the central part food plays in Studio Ghibli’s films, and the loving way the animation giant portrays it, then it’s worth paying attention. Spirited Away takes point, of course, but Howl’s Moving Castle, Ponyo and Kiki’s Delivery Service all have classic moments to savour.

https://www.seriouseats.com/2020/08/studio-ghibli-anime-best-food-scenes.html

Our SF Correspondent interjects:

Tamsyn Muir’s Locked Tomb books are in our top ten list of stories released over the past couple of years. Gothic, picaresque, wild and bracingly bonkers, there’s little else like them out there. The character of Gideon Nav is a creation of sheer snarky joy. Tor digs into the iconography twisted through Muir’s world-building and how it relates to a wider discussion of religious imagery in SF. From Star Wars to Dune, A Canticle For Leibovitz to The Parable Of The Sower, there’s a rich, dark seam to mine…

https://www.tor.com/2020/08/19/gideon-the-ninth-young-pope-and-the-new-pope-are-building-a-queer-catholic-speculative-fiction-canon/

So, the question of creativity during lockdown doesn’t go away. Should we feel guilty for not writing that novel or learning a new language with all the free time we were given? The answer is of course hecks no, but Steven Soderburgh isn’t helping matters. He used lockdown to re-edit a couple of his movies, reshaping them into new and shorter films. We pick up Indiewire for more on the annoyingly productive director.

https://www.indiewire.com/2020/08/steven-soderbergh-reedited-movies-quarantine-1234582502/

SF writer Charlie Stross has often struggled with the problem of plot redundancy. That is, a genius idea or gizmo that presents in real life before he gets the chance to finish the damn book. In The Year Of The Situation, Charlie looks at those story tropes and broad themes that are frankly no longer fit for purpose and are therefore dead to him.

http://www.antipope.org/charlie/blog-static/2020/08/dead-plots.html

Some notes from the Ninth Arts Desk…

We believe in comics. We think comics are an art form with a very specific set of strengths, and telling stories using The Ninth Art can unlock new aspects of narrative. That’s not all. As Lifehack notes, reading comics can actually make you smarter!

https://www.lifehack.org/468585/6-ways-reading-comics-makes-you-smarter

We’ve already mentioned how comics can make an excellent educational tool. Comics Beat recently interviewed art-chameleon R Sikoryak who has pointed his considerable skills into opening up one of the most misunderstood and misused documents of all time—The Constitution Of The United States!

https://www.comicsbeat.com/interview-r-sikoryak-constitution-illustrated/

Finally in this section, Michael Carty’s loving tribute to comics Mecca Forbidden Planet should have gone up last week as the old place celebrated its forty-second birthday. Oh well, better late than never. We remain especially fond of the original Denmark Street site. One of our number actually fainted while in a signing line for the first Judge Dredd annual in 1981. He picked hisself up, dusted hisself off and got that grud-damned Pat Mills autograph. Now that’s dedication to the cause!

http://mjcarty.com/forbidden-planetstin-pans-and-londons-eternal

This week’s Long Read takes in a charismatic con-man, a casino under threat and a very complicated bomb. How this story has not already been made into a film beggars belief. Perhaps it’s because some of the plot twists are just too mind-boggling for an audience to buy into. Settle back with a strong cocktail (trust us, you’ll need it) and enjoy the tale of The Zero-Armed Bandit…

www.damninteresting.com/the-zero-armed-bandit/

And finally, a quick plug for our Rob, who has somehow managed to weasel his way onto Keith Eyle’s Star Trek podcast, Let’s See What’s Out There! Join Rob, Keith and co-host Pete Mele as they discuss canon, deep cut episodes and how a post-scarcity Federation doesn’t necessarily mean you don’t have bills to pay…

https://podcasts.google.com/feed/aHR0cDovL2xzd290Y2FzdC5saWJzeW4uY29tL3Jzcw/episode/YTk0ZGI3ZGYtMTRjYi00M2UyLThjOWMtY2NkMmRkNzI0ZDJi

Our love for California psyche-skronkers The Oh Sees (the current iteration, as is their wont, is called Osees) is deep and long and true. King See John Dwyer conjures glorious clangs and whoops from his high-slung guitar while the two-drum attack rushes the sound along at express-train intensity. We were minded to present an hour of rehearsal footage for songs from the new album Protean Threat, out later this month, but choose instead for Exit Music to showcase a set they did for KEXP last year, featuring some classic bangers. If you want an overview of the band and their sound, start here. They’re touring the UK in October, and we are sorely tempted to break quarantine to see them.

Dig in. Here we go. See you in seven.

The Cut ✂️ Issue 15

On we jolly well go, clinging to the merry-go-round as it spins ever faster and the music of the calliope ramps up to lunatic levels of volume and speed. The last couple of weeks feel like the craziness has really taken a turn for the bonkers. What can you depend on? Well, at least on a Friday at 9am there’s a new ish of The Cut to help you into the weekend. Buckle up, buttercups!

Now is the time. Here is the place. This is The Cut.

Continue reading The Cut ✂️ Issue 15

The Cut – Issue 12

Here we are again, my lovelies. Three months of linky goodness from Cut Command, beaming out from our transmission tower high on a hill overlooking the biggest town in the UK. We are proud to provide you, therefore, with the finest in Reading material.

Look, come on, four months of lockdown will do a number on anyone’s head. Let’s crack on, shall we? Now is the time. Here is the place. This is The Cut.

Continue reading The Cut – Issue 12

The Cut – Issue 10

As a way to do something with our incessant lockdown-centric web browsing, it’s good to see The Cut is still providing positive and continuing creative energy. Issue 10! A whole two and a half months! We could have written a book by now! Oh well. As displacement activity goes, there are worse ways to spend our time. How this all fares when we’re dragged back to the day job is anyone’s guess. Still, here we are.

Now is the time. Here is the place. This is The Cut.


We begin with another gem from the extensive Brain Pickings archive. As Maria Popova points out, one way for women in the Victorian age to sneak sideways into the realms of science was through art. Beatrix Potter’s observational skills and analytical eye over the details of the Northumbrian landscape led to admiration from many of her peers, regardless of the whole Jemima Puddleduck side-gig. Poet Emily Dickinson also had a keen eye and an urge to catalouge the natural world. Her herbarium is a beautiful and instructional object which, as Maria points out, reflects her sensual art as well. Let’s check it out…

https://www.brainpickings.org/2017/05/23/emily-dickinson-herbarium/?mc_cid=0cfa0370f7&mc_eid=ffbb244260

Fanfic has, to put it mildly, a poor reputation in the literary realm. At best, it’s porn or plagiarism. At worst, illiterate trash.

Well, that’s the story. The truth is wildly different. Fanfic writers are passionate about the characters and worlds they write about, and the communities based around them are massively supportive of the best of the work. When writers take established continuity and go wild with it, the end result can be much more fun than the canon. There is some amazing fanfic out there. Lest we forget, writers like Neil Gaiman, S. E. Hinton and the godsdamn Brontë Sisters have all dabbled in the field (yes, ok, and E.L. James). This Input piece on how fanficcers have rewritten and erased a particularly heinous trope in TV writing is an inspiration all by itself.

https://www.inputmag.com/culture/tv-lesbians-fix-it-fiction-fanfic

Get your notebooks out. We howled over this AskReddit thread on the best literary and TV insults. All your faves will be in here, but we guarantee you’ll find some new shots of absolute gold. You’ll be memeing for days off the back of this one.

https://www.reddit.com/r/AskReddit/comments/hofgi1/what_is_your_favourite_insult_from_a_book_or_show

Matthew Holness is one of our great dark iconoclasts. From comedy writer and performer to creator of the truly brilliant Garth Marenghi’s Darkplace (launchpad, lest we forget, not just of Holness but Richard Ayoade, Alice Lowe and Mmmmmmatt Berry) to author and director of work that has flirted, then snogged, then gone balls deep into horror. Haunted Generation has a long conversation with Holness, touching on subjects as diverse as Peter Cushing, Kent noir and just how long is appropriate to find a major location before filming.

(Disclosure: our Rob has a credit on Matt’s most recent feature, Possum, and is proud to claim he was the first person to ever see That Bloody Spider Thing on film).

https://hauntedgeneration.co.uk/2020/07/11/matthew-holness-possum-the-snipist-and-garth-marenghi/

As it seems mask wearing is a part of all our futures, we may as well make the most of it. Japanese tech is, as ever, at the forefront of how we relate to people outside our immediate bubbles in the future. Introducing a Bluetooth-connected mask that can display speech-to-text and probably emojis in version 2 of the software release. The possibilities are limitless—well, ok, maybe not but we think there’s a lot of fun to be had here, particularly in communicating one’s disdain at the mal-informed offcuts amongst us that believe the act of wearing a mask is giving them 5G and sending the government DNA samples.

https://uk.reuters.com/article/us-health-coronavirus-japan-mask-technol/japanese-startup-creates-connected-face-mask-for-coronavirus-new-normal-idUKKBN23X190

We love The Expanse. Seriously. Best SF on the telly box at the moment. Twisty plots, brilliant SFX and characters to stan forever. Although we remain Team Drummer, we completely understand the love for Amos, the Roci’s bulldog. His deadpan delivery and ever-present simmering edge of violence makes him magnetic on screen. If we were writing fanfic, it would be about this guy (or maybe Amos and Drummer hooking up. Damn, that would be hot). The Ringer tells us more…

https://www.theringer.com/tv/2020/1/14/21064995/amos-the-expanse-amazon-prime-season-4

A couple of announcements from our friends and X&HTeam-mates. First up, our close pal Dom Wade has taken part in an interview on Cambridge Radio’s Behind The Bike Shed show to promote his doco Steel Is Real (But Carbon Is Quicker). A great intro to the film and the British cycling scene he documents so well.

https://cambridge105.co.uk/shows/behind-the-bike-shed/

Our Rob intermittently podcasts as one half of the Of Dice And Robs show on KaijuFM. It’s a show of chance, coincidence and conversation in which he and co-host Rob Maythorne use dice to choose the topics for discussion. It’s loose-limbed, easy-going and a bit nerdy, but the Robs bounce ideas off each other with an amiable charm. Worth a go? We think so.

https://podcasts.apple.com/gb/podcast/satan/id1456748415?i=1000484191981


This week’s Exit Music… well, there’s new Bob Mould in the world. And he’s pissed off. Which, when it comes to Bob Mould, is good news. The angrier he is, the better the music. Therefore, Forecast Of Rain (along with American Crisis, the first track from the forthcoming album (Blue Hearts, out on September 25th) which led one observer to note ‘I haven’t heard him scream this much since Zen Arcade’) is the glorious racket of a thunderhead looming. Fast and heavy, and ready to flood us all. It’s great to have him back and raging.


And that’s us. Ten weeks and counting. If you’ve been with us since the start, thank you. If you’ve joined us on the road, welcome. We plan to go coast to coast on this, then deploy the amphibious pack and hit the ocean like Roger Moore and his Lotus Esprit in The Spy Who Loved Me.

The road goes on forever. Strap in. See you in seven.

The Cut – Issue 9

We return—refreshed, rejuvenated, revived. Four nights in a field communing with nature, falling asleep to the sound of sheep (incidentally, why does sheepish describe a hesitant vocal delivery? The fleecy beasts sharing our space were proper vocal). Also, we have had actual haircuts and drunk actual pints of actual beer in actual pubs. Does this mean things are back to normal? Fukc no, don’t be silly. But for once, just for a fleeting moment, we dare to hope for a better world. With that in mind, let’s begin. Now is the time. Here is the place. This is The Cut.


The Onion has always been an exemplar of how to do online satire. Formally rigorous, delightfully sweary and always full of surprises. Many have copied them. Few have succeeded (I’d tag the UK’s own Daily Mash as a good example of the form). The venture had moved to New York a couple of months before 9/11. Their first issue on new turf would deal directly with one of the most shocking events of modern times. How they dealt with it and came up with a true classic of comedy writing is detailed below. A great piece of oral history .

https://melmagazine.com/en-us/story/onion-911-issue-oral-history

Corrie Corfield’s pics of BBC TV Centre before it closed in 2012 are a lovely ramble around a building that for many is deeply symbolic of British broadcasting history. Much of what we as a nation saw and listened to as part of our daily lives was made in this idiosyncratic question-mark shaped building in West London. I defy you not to get chills or at least a warm glow from some of these photos.

https://www.flickr.com/photos/corrie_corfield/albums/72157629853283466/

Gavin Rothery is the special effects wizard who gave Duncan Jones’ Moon much of its old-school visual flair. His first feature as writer/director, Archive, is out today and I urge you to give it a look, particularly if you’re a fan of Alex Garland’s Ex Machina. However, we’re drawn by a piece Gavin wrote back in 2011, in which he posits a theory about Blade Runner we’d genuinely never come across before. A fine example of his lovingly detailed approach to SF. We approve strongly.

http://www.gavinrothery.com/my-blog/2011/10/1/a-matter-of-electric-sheep.html

Our second deep-dive oral history of the week looks at the very long day’s work that resulted in USA For Africa’s We Are The World. An extraordinary roster of talent rolled into an LA recording studio in circumstances never before experienced. Remarkably egos were, as per the iconic sign, largely checked at the door. Hindsight leads us to questions as to how the money was spent, and we can mostly agree the song itself was not the greatest. It’s the making of the record that makes the story interesting.

https://www.esquire.com/entertainment/music/a32868751/we-are-the-world-history-interview/

Our Space Opera Correspondent writes:

I grew up reading stories of our neighboring planets, imagining the wonders we would find there. Huge canal structures on Mars. Rainforests on Venus. The writing of authors like Edgar Rice Burroughs and Ray Bradbury coloured my dreams in swathes of red and green. Sadly, we now know better. Mars is a desert, Venus scoured by boiling storms of methane. But there is still a school of thought that, given the money and will, we could make Venus habitable. Check out this joyful article from Nautilus, and dream with me a little.

http://nautil.us/issue/43/heroes/the-romantic-venus-we-never-knew

Let us consider the megastructure. For most of us, the primary example of the form is The Death Star. But SF is ripe with giant artificial constructs, bigger than planets, frequently built by unseen and long-vanished alien civilisations for reasons unknown. Iain M. Banks’ Culture novels are stuffed with the things. The trouble with megastructures is the way they tend to swamp the narrative with their vast unknowability. From Larry Niven’s Ringworld to Adrian Tchaikovsky’s recent novella Walking To Aldebaran, the setting has a way of swamping the story. Nevertheless, I loves me a megastructure. Tor’s overview gives us a few notes on the form.

https://www.tor.com/2020/07/03/a-brief-history-of-the-megastructure-in-science-fiction/

Who doesn’t like a big bang? We certainly do. Daily Grindhouse details some of the best explosions in movies. Plenty of great moments in here. We’d also tag the demolition of The Kremlin in Mission Impossible: Ghost Protocol. Actually, the fish tank pop in the first M:I film is top notch. Oh, and the Nostromo cooking off at the end of Alien. What are your faves, Readership?

http://dailygrindhouse.com/thewire/the-big-question-whats-your-favorite-explosion-in-a-movie/

We have been following and enjoying the work of Dan Harmon since his time as show-runner of Community (if you have not seen it, we recommend you redress that hole in your cultural knowledge base as soon as possible. Trust us, worth your time. Currently on Netflix. Harmon developed a concept he called The Story Circle as a way to easily hothouse script ideas. It’s a fiendishly clever way to navigate around the structural needs of a script which also addresses the essentially looping manner of sitcoms—ending up back where you started Having Learnt Something. The Story Circle has become so integral a part of Harmon’s hit animation Rick And Morty that it was featured as a plot device in a season three episode. Harmon explains more…

And finally. Two brilliantly crafted profiles from Vulture on a pair of our strongest, bravest and most talented British Black artists—Michaela Coel and Thandie Newton. Both have fought long and hard to get not just heard, but respected with regards to their particular talents. Both have faced obstacles which would have broken lesser mortals. Neither have allowed these obstacles to stop them. We at The Cut love them both, and we hope you do too.

https://www.vulture.com/article/thandie-newton-in-conversation.html

https://www.vulture.com/article/michaela-coel-i-may-destroy-you.html


Our Exit Music comes from the challenging and idiosyncratic John Martyn. He was a man who carried many demons with him and was not afraid to let them out to play, as a recent biography unflinchingly details. However, he was also an extraordinary musical innovator. We offer for your approval a live version of ‘Outside In’ from 1978, which highlights his use of effects, creating sounds and textures that remain influential to this day. Many artists, from The Edge to Ed Sheeran, owe a debt to John Martyn.


And that’s us. A slightly less structured, more ad-hoc slumgullion of linkery this go-round. We still have the song of the sheep ringing in our ears, and have we mentioned how great our hair looks now? Anyhoo. Stay lovely, Readership. See you in seven.

The Cut – Issue 6

Another week down. The shops reopened, but frankly we’re happy behind the walls of our compound, letting all the goodies we need come to us. Queueing, we have decided, is not our bag. We may never shop in the old-fashioned way again. Anyway. Let’s do this. Now is the time. Here is the place. This is The Cut.

Continue reading The Cut – Issue 6