The Cut – Issue 9

We return—refreshed, rejuvenated, revived. Four nights in a field communing with nature, falling asleep to the sound of sheep (incidentally, why does sheepish describe a hesitant vocal delivery? The fleecy beasts sharing our space were proper vocal). Also, we have had actual haircuts and drunk actual pints of actual beer in actual pubs. Does this mean things are back to normal? Fukc no, don’t be silly. But for once, just for a fleeting moment, we dare to hope for a better world. With that in mind, let’s begin. Now is the time. Here is the place. This is The Cut.


The Onion has always been an exemplar of how to do online satire. Formally rigorous, delightfully sweary and always full of surprises. Many have copied them. Few have succeeded (I’d tag the UK’s own Daily Mash as a good example of the form). The venture had moved to New York a couple of months before 9/11. Their first issue on new turf would deal directly with one of the most shocking events of modern times. How they dealt with it and came up with a true classic of comedy writing is detailed below. A great piece of oral history .

https://melmagazine.com/en-us/story/onion-911-issue-oral-history

Corrie Corfield’s pics of BBC TV Centre before it closed in 2012 are a lovely ramble around a building that for many is deeply symbolic of British broadcasting history. Much of what we as a nation saw and listened to as part of our daily lives was made in this idiosyncratic question-mark shaped building in West London. I defy you not to get chills or at least a warm glow from some of these photos.

https://www.flickr.com/photos/corrie_corfield/albums/72157629853283466/

Gavin Rothery is the special effects wizard who gave Duncan Jones’ Moon much of its old-school visual flair. His first feature as writer/director, Archive, is out today and I urge you to give it a look, particularly if you’re a fan of Alex Garland’s Ex Machina. However, we’re drawn by a piece Gavin wrote back in 2011, in which he posits a theory about Blade Runner we’d genuinely never come across before. A fine example of his lovingly detailed approach to SF. We approve strongly.

http://www.gavinrothery.com/my-blog/2011/10/1/a-matter-of-electric-sheep.html

Our second deep-dive oral history of the week looks at the very long day’s work that resulted in USA For Africa’s We Are The World. An extraordinary roster of talent rolled into an LA recording studio in circumstances never before experienced. Remarkably egos were, as per the iconic sign, largely checked at the door. Hindsight leads us to questions as to how the money was spent, and we can mostly agree the song itself was not the greatest. It’s the making of the record that makes the story interesting.

https://www.esquire.com/entertainment/music/a32868751/we-are-the-world-history-interview/

Our Space Opera Correspondent writes:

I grew up reading stories of our neighboring planets, imagining the wonders we would find there. Huge canal structures on Mars. Rainforests on Venus. The writing of authors like Edgar Rice Burroughs and Ray Bradbury coloured my dreams in swathes of red and green. Sadly, we now know better. Mars is a desert, Venus scoured by boiling storms of methane. But there is still a school of thought that, given the money and will, we could make Venus habitable. Check out this joyful article from Nautilus, and dream with me a little.

http://nautil.us/issue/43/heroes/the-romantic-venus-we-never-knew

Let us consider the megastructure. For most of us, the primary example of the form is The Death Star. But SF is ripe with giant artificial constructs, bigger than planets, frequently built by unseen and long-vanished alien civilisations for reasons unknown. Iain M. Banks’ Culture novels are stuffed with the things. The trouble with megastructures is the way they tend to swamp the narrative with their vast unknowability. From Larry Niven’s Ringworld to Adrian Tchaikovsky’s recent novella Walking To Aldebaran, the setting has a way of swamping the story. Nevertheless, I loves me a megastructure. Tor’s overview gives us a few notes on the form.

https://www.tor.com/2020/07/03/a-brief-history-of-the-megastructure-in-science-fiction/

Who doesn’t like a big bang? We certainly do. Daily Grindhouse details some of the best explosions in movies. Plenty of great moments in here. We’d also tag the demolition of The Kremlin in Mission Impossible: Ghost Protocol. Actually, the fish tank pop in the first M:I film is top notch. Oh, and the Nostromo cooking off at the end of Alien. What are your faves, Readership?

http://dailygrindhouse.com/thewire/the-big-question-whats-your-favorite-explosion-in-a-movie/

We have been following and enjoying the work of Dan Harmon since his time as show-runner of Community (if you have not seen it, we recommend you redress that hole in your cultural knowledge base as soon as possible. Trust us, worth your time. Currently on Netflix. Harmon developed a concept he called The Story Circle as a way to easily hothouse script ideas. It’s a fiendishly clever way to navigate around the structural needs of a script which also addresses the essentially looping manner of sitcoms—ending up back where you started Having Learnt Something. The Story Circle has become so integral a part of Harmon’s hit animation Rick And Morty that it was featured as a plot device in a season three episode. Harmon explains more…

And finally. Two brilliantly crafted profiles from Vulture on a pair of our strongest, bravest and most talented British Black artists—Michaela Coel and Thandie Newton. Both have fought long and hard to get not just heard, but respected with regards to their particular talents. Both have faced obstacles which would have broken lesser mortals. Neither have allowed these obstacles to stop them. We at The Cut love them both, and we hope you do too.

https://www.vulture.com/article/thandie-newton-in-conversation.html

https://www.vulture.com/article/michaela-coel-i-may-destroy-you.html


Our Exit Music comes from the challenging and idiosyncratic John Martyn. He was a man who carried many demons with him and was not afraid to let them out to play, as a recent biography unflinchingly details. However, he was also an extraordinary musical innovator. We offer for your approval a live version of ‘Outside In’ from 1978, which highlights his use of effects, creating sounds and textures that remain influential to this day. Many artists, from The Edge to Ed Sheeran, owe a debt to John Martyn.


And that’s us. A slightly less structured, more ad-hoc slumgullion of linkery this go-round. We still have the song of the sheep ringing in our ears, and have we mentioned how great our hair looks now? Anyhoo. Stay lovely, Readership. See you in seven.

The Cut – Issue 7

We’ve had better weeks. Reading, our home town, was subject to an event now described as terrorist action. Three people died as a result. We are horrified, but not terrorised. We stand with all our friends and neighbours in this oddball place we call home, and look forward to seeing everyone in Forbury Gardens very, very soon.

Continue reading The Cut – Issue 7

The Cut – Issue 6

Another week down. The shops reopened, but frankly we’re happy behind the walls of our compound, letting all the goodies we need come to us. Queueing, we have decided, is not our bag. We may never shop in the old-fashioned way again. Anyway. Let’s do this. Now is the time. Here is the place. This is The Cut.

Continue reading The Cut – Issue 6

The Cut – Issue 5

Right then. Another week, another appalling clusterfukc of decade-defining events crashing into each other like horny bulls in the crockery department of a soon-to-be-shuttered Debenhams. So much noise. So much mess.

You know what state the news is in. Let’s kick back, crack open the first of several bottles and slide into a different state of mind. Here is the place, now is the time. This is The Cut.

Continue reading The Cut – Issue 5

The Cut – Issue 4

It’s Friday, and the world is changing faster than we can keep up. Thank goodness The Cut is here to help you through the confusion, right?

(There is a distinct possibility increased confusion may result from reading this despatch. We refer you to the terms and conditions in the sidebar.)


Let’s begin by addressing the obvious main story of the week. I could fill the whole issue with links and stories relating to the murder of George Floyd and the fury it sparked. The thing is, we here at The Cut are working from a position where lack of knowledge stands in the way of being able to comment constructively. Instead, we intend to quietly learn more, leaving space open for other more appropriate voices to be heard. There are many resources out there if you want to educate yourself. We found this freely-distributed Google Doc to be of use.

https://docs.google.com/document/d/1S5uckFHCA_XZkxG0Zg5U4GQGbY_RklZARwu43fqJH0E/preview?pru=AAABcqNT32M*ty1FrOEag4XCdeshq8klsg#

That being said, we feel with our food remit we can at least bring more light onto the ongoing danger to a major BAME community resource in the UK. Nour Cash And Carry has served the people of Brixton for twenty years, occupying a prime spot that allows customers in from both Market Row and Electric Avenue. The market’s landlord, property developer and EDM artist (yes, really) Taylor McWilliams, claims the site is needed for a new electricity sub-station and intends to close it, despite input from the power company that other sites are available. To the community who depend on Nour, this seems like just another example of outside money muscling in where it’s not wanted. More on the story from Brixton Blog—

https://brixtonblog.com/2020/06/nour-pressure-mounts-on-landlord/

We’ll close out this opening section with a nod to artist and thinker Austin Klein, who provides a handy road map for us in the days ahead…

https://austinkleon.com/2020/05/27/work-and-learn-in-evil-days/


Moving on. Art crit site Exmilitary have dropped a set of four free-to-stream films on the theme of the Eastern European Apocalypse. If, like us, you have a penchant for slow, surreal Soviet-bloc SF, you’re in for a treat. The star of the group is obviously Tarkovsky’s Stalker, but we’d also tag Żuławski’s On The Silver Globe. Dense, chewy and very good for you.

http://exmilitai.re/film

This article from Film School Rejects on the colour palette of director Michael Mann is full of fascinating detail on how he achieved his signature look. We have particular interest in the art of colour grading for film and this ticked a lot of our boxes very hard indeed.

https://filmschoolrejects.com/michael-mann-cool-colors/


We like to give you at least one story with the capacity to hinge your jaw wide open. This week, a tale of a commercial transaction gone ‘orribly wrong. Read to the end.

https://news.sky.com/story/pair-hired-for-mans-broom-sexual-fantasy-turn-up-in-bedroom-at-wrong-address-with-machetes-11996365

Small town America seems to be the place where surreal crime and dark secrets are hiding around every corner on Main Street. Seems to us the following list would be of use if you’re ever going to get the chance to do that iconic road trip—just so you know which places are really not safe to pull in for a refreshment break…

https://www.cracked.com/article_25953_5-dark-secrets-americas-small-towns-dont-want-you-to-know.html

We finish this section with a tale of experimentation in the furthest realms of the human experience, a particular kind of toad and an actor with a very niche side-hustle. The headline is a work of journalistic art all by itself.

https://news.avclub.com/spanish-penis-candle-mogul-accused-of-causing-death-by-1843896758


Time to raise the tone. Here’s the literary portion of our program. A genuinely fascinating look at how The Situation is affecting upcoming book releases, from plot ideas to the simple facts of a changed social landscape. Popular thinking currently believes dystopian fiction is on its way out, as we’re living a slow-motion collapse on a daily basis. We at The Cut are reading more SF than ever, reveling in the notion of characters not having to social distance or chatting in a space tavern over a foaming pint of Arcturus ale. Of course, as ever, we’re living in William Gibson’s world.

https://www.theguardian.com/books/2020/jun/01/no-pubs-no-kissing-no-flying-how-covid-19-is-forcing-authors-to-change-their-novels

We were talking last week about vertically-scrolling web comics. There are many good ones out there, but we particularly recommend My Giant Nerd Boyfriend. Written and drawn in a pleasingly loose Kate Beaton-esque style by a tiny Malaysian cartoonist who calls herself Fishball, it’s a slice-of-life journal finding humour in the life she shares with The Giant Nerd Boyfriend of the title. It’s funny, touching, occasional moving but eminently scrollable. We think once you start you won’t be able to stop.

https://www.webtoons.com/en/slice-of-life/my-giant-nerd-boyfriend/list?title_no=958


And finally. This fun cartoony overview of the economics and marketing of yer actual high-seas piracy gets the balance of humour to information smack on, and therefore makes you feel like you’re learning while laughing. Do check them both. You’ll feel smarter for it.

https://www.geeksaresexy.net/2020/06/02/how-to-be-a-pirate-quartermaster-and-captain-edition-video/


Oh, finally finally. A new WROB show went up yesterday, in which host Rob talks about his life as an introvert while providing a themed soundtrack. He put a lot of heart in on this one, Readership. Tilt the guy an ear.

https://wrobradio.org/2020/06/04/the-introvert-special/


The Exit Music this week comes courtesy of The Raconteurs. This hour doco of a day spent at the legendary Electric Lady studios has lots of fun moments, as the band work up a cover of Blank Generation before a short gig in the evening. Hosted by that most rock and roll of film directors Jim Jarmusch, it’s a fun insight into the process of covering an iconic record. If you’d rather cut straight to the live stuff, skip to 20 minutes in.


That’s all from us this week. Stay safe, keep your head straight and, to quote Jim J from the music link above, don’t let the fuckers get ya.

The Lockdown Library

I would love to be able to tell you how the extended time at home has led to an outpouring of creativity, a flood of new writing and art and music from my head meats through my skilful fingers and out, fluttering like glittering butterflies of the imagination, into the world.

Continue reading The Lockdown Library