Continue reading Blonde Wig And Blue Contacts: X&HT Saw Benny Loves Killing
Tag: Film
The Horror, The Horror: Fright Feast On Film
As a fan of both Feast On Film and the Brainhownd film nights, a collaboration between the two was a solid lock for me.
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Magic Everyday: X&HT Saw Beasts Of The Southern Wild
Once there was a Hushpuppy, who lived with her Daddy in The Bathtub.
Continue reading Magic Everyday: X&HT Saw Beasts Of The Southern Wild
The FrightFest Files: Ten Horror Films To Watch – Part 2
Clive’s Best Of FrightFest continues with his Top Five. Brace yerself. There’s some shockers in here. Continue reading The FrightFest Files: Ten Horror Films To Watch – Part 2
The FrightFest Files: Ten Horror Films To Watch – Part 1
We have a couple of weeks to go to Halloween, so in the spirit of the season I thought I’d talk horror films. Continue reading The FrightFest Files: Ten Horror Films To Watch – Part 1
Mean Streets: X&HT Saw End Of Watch
David Ayer’s gritty cop drama puts us right at the heart of the action, and delivers an innovative new take on the old cliches.
In The Loop: X&HT Saw Looper
Looper is one of those films that’s designed to start arguments in pubs after a screening.
Livin’ La Vida Loca: X&HT Saw The Imposter
If you tried selling the story of The Imposter as a drama, people would never go for it.
Continue reading Livin’ La Vida Loca: X&HT Saw The Imposter
The Word is Out On Frightfest From The Gruesome Twosome
This weekend is one of the most important in the horror calendar. The August Bank Holiday is home to Frightfest, the five-day smorgasbord of shivers, the feast of fear, the cornucopia of chills that sits at the bleeding heart of London’s Leicester Square.
Frightfest the 13th is bigger than ever, with nearly 100 films spread over five days and three screens. So the question is, how by all the nether gods do you navigate all that? What’s your gameplan, pilgrim?
Fret not, fear fan. There is a way.
Continue reading The Word is Out On Frightfest From The Gruesome Twosome
Happy Families: X&HT Saw Splice
Coincidence fascinates me. I mean, I don’t believe there’s anything in it. It’s clearly just my brain mapping meaning and pattern onto unrelated events. But it’s still fun when it happens.
As a serial procrastinator, it’s taken me the best part of six months to get engineers out to look at the stuttery HD playback on our plusbox. When I finally did so, it took less than five minutes to sort, and I was left with a more open schedule for my day than I’d planned. So, I had a bit of a browse on our newly sprightly V+ feed, and found a block of free movies, including one I’d missed on its limited UK release–Vincenzo Natali’s bio-sci-horror Splice.
The coincidence kicked in as the credits rolled and I realise that the film starred Sarah Polley, director of the most excellent Take This Waltz that I raved about earlier in the week. The two films could not be more different. Take This Waltz is a delicate, precise parody of chick flick clichés. Splice is… Well, it’s bugshit crazy, in a very good way indeed.
