Stop me if you think you’ve heard this one before. There’s this guy who works with computers, a software developer. As part of his duties, he has to interrogate the equipment, a quality control pass to make sure the program is working within normal parameters. He discovers, or realises, or believes, his particular piece of software is not only over-performing—it has developed a soul.Continue reading The Story Of Sentience
We’re coming up on the summer solstice, the longest day of the year. Funny. It feels like we’ve had more than one of those in 2021. As we enter the doldrums month, thinking about another set of plans made only to be abandoned, let’s give it one last try to hold it together. Hope we at The Cut can help, in our mountain retreat somewhere in the wilds of Cumbria.
In this ep, crazy masks, the greatest stunt ever filmed and the amazing story of Miss Shiling’s orifice.
The hills are the place. Sunrise is the time. This is The Cut.Continue reading The Cut Season 2 Episode 25
By the time you get this, we will be off on our second team getaway in just over a month. With the potential risk of the Delta Variant (now that’s the title for a seventies SF movie if ever we heard it) threatening to scupper the easement of restrictions, we figured we’d better take the chance while we had it. Therefore, expect a lighter Cut next week.
However, it’s business as usual for now. We’re looking at the joy of the SF ensemble cast, barbecue sauces to die for and how much skill it takes to make a ton of mistakes.
This now here time place yes Cut.Continue reading The Cut Season 2 Episode 24
It fell to Liam Gallagher to sum up the mood of the British public in one succinct tweet.
Exactly. Have you been in-out yet (as opposed to out-out—frankly we find it hard to enjoy a beer while shivering under canvas)? How was it? A bit odd and creepy or a shining, joyous moment pointing the way to a new and brighter future? At the time of writing we have yet to indulge, although a lunchtime session is in the mix. It could well get emotional.
This week, we get a bit noir-y, take a look at a very literal Cold War and ponder the mechanics and logistics behind a one-shot movie.
Pub is the place. Opening time it is. This is The Cut.Continue reading The Cut Season 2 Episode 21
Happy birthday to us! We’re having cake and pop. You’re having… well, much the same as ever, in a slightly extended form to mark our fifty-second episode in style. If you’ve stuck with us this long—thank you. Your patience and tolerance for our nonsense is appreciated. Sadly, things are unlikely to get any better, although we may attempt a tuck, nip and polish to enliven your reading experience. Or we may just clatter along in our ad-hoc ramshackle fashion until something drops off. It’ll be a ride, either way.
In our slap-up feed this week, we’re serving up no-knead bread, OKi Dogs and the juicy tale of the greatest thriller that never was.
Now is the birthday. Here is the cake. This is The Cut.Continue reading The Cut Season 2 Episode 20
Welcome to the fiftieth episode of The Cut! Begun as an exercise in sanity-preservation in the height of lockdown, we’re pleased to have kept the momentum going, sending our patent-pending brew of links and commentary without pause to our literally dozens of readers for all this time. Of course this means there’s an even bigger milestone looming up on the horizon in a couple of weeks…
This week, we ask important tongue-related questions, introduce you to The Witch of King’s Cross and sing a song for the man who took the loneliest flight of all.
Time check! Now! Location check! Here! This is The Cut!Continue reading The Cut Season 2 Episode 18
There are a few pots of seedlings on a warm, sunny windowsill at Cut Command. Tomatoes and a couple of kinds of chilies. Normally, the gardeneers in the office would simply buy plants to pot out in our little patch of ground out past the back door. This year they decided to try and grow from seed. The progress has been slow, a little worrying when we come in to find the plants have gone floppy for no good reason. But it’s such a nice feeling to see that dot of green on the surface of a pot appear, reach out and stretch into a new life, a new kind of potential.
That’s a metaphor for something, probably.
This week, how you can’t walk away from a memory on the internet (even when it didn’t happen), the trouble with vinyl and a real blast from the past.
See now this right here now, this is The Cut.Continue reading The Cut Season 2 Episode 17
Is it sensible to ignore a huge breaking news event, given that any response we give is liable to raise hackles?
Yes, Readership, we believe it is.
In this week’s ep, Britfunk and Prog bump up against a very large synthesiser. We look at the quiet still point of a noir classic and wonder just what the heck is up with Trump and Musk. And is Trump and Musk a fragrance brand we should look to market?
This time is adjacent to the place in which you will find The Cut.Continue reading The Cut Season 2 Episode 15
Happy Easter! We hope you’re finding the time and space to meet up with loved ones again in a responsible and socially distanced manner. It’s a strange time in which hope and dread become entangled—hope for a more normal future, dread of a sudden reversal. For now, we plan to enjoy the fresh air and company, feeling the kiss of the sun on our face as a substitute for the real thing.
This week—games you can fit on a business card, all manner of mayors and the importance of chairs in a well-loved science-fiction franchise.
Now is the here is the place is the time is The Cut.Continue reading The Cut Season 2 Episode 14
+++BREAKING NEWS FROM THE ARTS DESK+++
As we hit the last lap on locking this week’s issue, news emerged regarding the graffitoe which appeared on the walls of Reading Gaol on Sunday evening. Following a week of fevered speculation, stencil-wrangler and prankster Banksy has confirmed they are to blame for the artwork. Many see the piece as a show of support from the influential street art collective for the ongoing campaign to turn the long-disused site into an arts hub. The references to Oscar Wilde’s stay are clear. We note with a smile that the work’s position, high up on a wall which is still government property, will dissuade the usual chancers, shysters and thieves which gather at the first sniff of easy profit from ‘buying’ it and denying access to a work of art which belongs to the people. As Reading locals and street art fans, we at The Cut are doubly delighted at this new addition to our already rich cultural heritage.
We now return you to our scheduled programming.
Now is the time. Here is the place. This is The Cut.Continue reading The Cut Season 2 Episode 10