Look East

It seems strange that the side of the country more likely to harbour our most rugged individualists, free-thinkers and ok let’s not mince words, wierdos, should be the one closest to mainland Europe. You’d think that the west, with an unencumbered view of the great abyss of the Atlantic would have that hint of the frontier spirit.

But on consideration, it makes sense. The east coast is a bulwark, a first line of defence against invasion. It has been for thousands of years, from the Vikings to the Dutch to the French to the Nazis. It hasn’t been entirely successful in that regard. Some might say it’s all a bit leaky sieve. But that means the east is also where our nation would have initially developed a taste for the thick stew of disparate cultural influences which would inform our language, our place names and to an extent, our character. Those influences are less dilute the closer to the coast you get — sea salt is an excellent flavour enhancer. It’s here, I think, in the fifty-mile-wide ribbon which runs from Kent up through Essex and around the ear of East Anglia that you find the more esoterically-minded of us. The fighters. The defenders. Ultimately, those who would defeat the colonisers by using their own weapons against them.

A confession, then, in case you haven’t figured it out. This is my land too.

Born in East London. A childhood spent in Cambridgeshire, with regular holidays spent in places like Caister-On-Sea (the location of a particularly miserable caravan holiday in 1977 in the week Elvis died, the news of which dampened the mood still further), Southend, Hunstanton. A move into Essex when I was twelve, bouncing to and fro around various parts of the county before, aged 19, I finally broke ties, moved down to Dorset for college, met C, and life found a way. There was a point before we finally broke containment and settled in the west where serious contemplation was given to settling in Essex for good. Pretty much all of my family live there still, in some examples walkable to each other. In this regard, I’m the outlier, the family oddity.

But the call of the east lures me back, and somehow it brings on a sense of comfort, of belonging. Holidays in the fortress and cradle of England’s culture feel like homecomings to me.

Let’s geo-locate. I’m writing to you from North Norfolk, Alan Partridge country if you believe the sneering imprecations on the county’s character written by a Mancunian. Here the skies are especially big, the beaches especially long. The open nature of the landscape is useful — you can see enemies coming from miles away. There are a fistful of larger towns and cities, but Norfolk remains extensively rural, quietly and determinedly insular. Small communities, loyal only to themselves. The law of the ribbon abides — to thine own self be true.

From the sculpture park at Pensthorpe.

We’re in a converted stable block with clean, white walls, high airy ceilings and old farming implements on the wall which you could easily use to skewer invaders you don’t like the look of. As ever, C has chosen wisely. This is a good base from which to let Harvette stretch out and carry us around in her usual easy, unruffled manner. We’ll let the Sport Billies in their Audis roar past as we carefully navigate the winding, hedge-narrow roads. There’s no rush. We’re on an extended road trip, from the coastline to the city.

Let’s start with the latter. Welcome to Norwich.

Norwich is the county town of Norfolk, a city formed as the home of the Icini tribe in the early years. It rapidly became a place of power and status. Until the dawn of the industrial revolution it was the second most prosperous and largest town in Britain after That London. A lot of the original features are still preserved, included half-timbered gathering places like Dragon Hall, medieval streets and buildings and of course, the high-church glamour of Norwich Cathedral. It’s regularly voted one of the best places to live in the UK. On our visit, you could see why.

It’s a very pretty town — lively, artsy and comfortable in its own skin. A lot of work has been put into keeping the historical aspects of the architecture alive. It’s not unusual to wander down a cobbled street, to come face-to-face with a lovely old deconsecrated church which has been converted into a labyrinthine antiques centre. There are a lot of those here so if you like a bit of bric-a-brac you’re in luck. The best bet if you want the really surreal experience is to cross Fye Bridge and take the short walk up Magdalen Street to Loose’s Emporium, which is a mad, never-ending cornucopia of wonder.

If you’re a bibliophile, though, this place is a straight shot to the mainline of bliss. Norwich was the first International City Of Literature, built the first public library and the aforementioned Dragon’s Hall is home to the National Centre For Writing. The city elders have leant hard into this aspect, calling Norwich The City Of Stories in tourist literature.

Here’s a story for you. The Book Hive on London Street has a picture of comics wizard Alan Moore on its back wall, put up as a hex against the light-fingered low-lives who kept nicking the graphic novels. That would be warning enough, but the man himself responded, confirming he had set up infernal security and already cast several thieves into the abyss for their crimes. So, there is a bookshop in Norwich that is under the protection of an actual practicing wizard.

We bought three books in there, just to be on the safe side. Although it’s also really good and I have not been enthralled into writing that.

We need to talk about books, though. Specifically, the habit C and I have got into of topping up our TBR trolley when on holiday until the wheels groan under the strain. It’s made worse by the fact that all National Trust properties now have some manner of second-hand book-buying opportunity, from a few shelves in the cafe to fully-fledged shops in their own right. Blickling Hall, a half-hours drive from our digs, has the biggest in the Trust.

It needs a sign over the door saying ‘abandon hope all ye who enter here.’ I managed to—just— keep myself to the unwritten rule of ‘only buy what you can carry in one hand.’

Readership, I have big hands.

Only God can judge me.

The whole Blickling estate is lovely, by the way, and on a sunny day the grounds and house are a delight. Just stay away from the bookshop if you value your bank balance.

Let’s move on. From the city to the coastline in a reverse 10th Avenue Freezeout. The rural charms of Norfolk can’t be ignored, and yes of course the Broads are stunning, but I believe if you want the best of the county, you have to be prepared to get your toes sandy. The beaches here are, and I speak with the experience of someone who loves the seaside, among the best in the country. This is where you get the full big sky experience, soft glowing expanses of sand past the horizon and most importantly not many people. At least, never when I’ve been there. Maybe I exude beach-clearing pheremones.

Draw a line from Hunstanton to Cromer (a line which, usefully, is followed by the A149 coast road) and you will never be far from a glorious vista or magnificent seascape. The towns along the route offer a deliciously varied experience too. Hunstanton is old-school seaside, prom and pier. Holt is classy and arty. Wells-Next-The-Sea and Blakeney give a tousled hipstery vibe. Cromer is all of the above with killer crab sandwiches to boot. You can do the trip in a day, but we recommend you take your time and cruise it out, baby. Breathe that sea air, however turbulent. Even if it’s rainy and stormy, there will be sights to see, nice shops to visit and lovely food to eat.

Actually, here’s a suggestion, based on a trip taken with our closest buds Chris and Carol this week. Hie thee to Drove Orchards near Hunstanton, a fun little conglomo of different shops, cafes and office spaces. Grab a coffee and then backtrack a little way, following signs for the beach. You’ll eventually hook up with The Peddar’s Way, a coastal path taking you over a swathe of wetlands and rippling dunes. It’s probably a twenty minute walk before you finally crest the bank and reach Holme-Next-The-Sea beach.

I was going to include a picture, but frankly images don’t do the place justice. Sand the colour of honey, sea all the blues and greens in your head and a few you can’t imagine. I defy you not to spend a long minute there and not feel your cares detach off your shoulders to be blown away by the sea breeze.

Head back to Drove Meadows when you’re ready for fish and chips (I guess if you’re more organised than us and bring an insulated bag you could grab some and eat on the beach) or pizza, indulge in a little retail therapy, get some food and drink for the week from the brilliant farm shop on site. Drive back to your digs feeling like the world is just that little bit brighter.

In lieu of a beach shot, here are some nice fishing boats we spotted in Sheringham.

There’s a phrase which gets used as a kind of dig at the good folk of East Anglia, one which they have charmingly repurposed as a badge of honour. Normal For Norfolk is not the insult you think it is when you get amongst the locals. We found them friendly, warm and welcoming. But then that’s the case everywhere we go in our adventures around Britain. We don’t tend to come across arseholes. They exist, certainly. We just seem to repel them.

In Norfolk, though, there’s an air of winning eccentricity. The law of the ribbon abides, as the descendants of the Icini face the North Sea knowing whatever comes their way can either be repelled or more likely, assimilated. They do diff’runt here.

And so do I. C and I have often talked about where we’d go once we could retire. The east coast has always been favourite for us. Based on our experiences this week, we may have found our sweet spot.

Go east, old man? Who knows, it might just happen.


See you next Saturday.

All You Need Is A Girl And A God—Lessons In Immortality And Empathy from Supergirl

We have always told stories about beings more powerful than ourselves. Myths and legends of heavenly hosts and mountain-dwelling deities, offering promises of eternal bliss if you do as they say, unending punishment if you don’t. The gods are capricious, fickle, ultimately unknowable. We are, perhaps, pawns in a great cosmic game, or merely playthings, good for an eye blink of entertainment before being cruelly cast aside.

If you believe, as I do, that all gods are fictional, made up as a warning or an enticement to stay in line and keep paying the dues, then they become a twisted mirror image of humanity, their mercurial nature simply a byproduct of the heavy semantic lifting they have to do. Your god may be merciful or vengeful depending on the context or the moment they are being called upon to arbitrate over.

I have an example, one which springs easily to mind as she’s in the public consciousness at the moment.

Let’s talk about Supergirl.

Continue reading All You Need Is A Girl And A God—Lessons In Immortality And Empathy from Supergirl

Today Is Saturday, Watch And Smile

I have a very solid ritual upon which my whole Saturday revolves. The first step is, of course, compiling and scheduling this here newsletter, setting it up and ready for a 10am drop. That deadline is important, because before then I need to be showered, coffee’d up and in front of the programme that is, in my humble opinion, the best food show on telly—Saturday Kitchen.


Continue reading Today Is Saturday, Watch And Smile

Five Minutes

The week can just run away with you. Perhaps it’s a symptom of age, maybe a simple matter of perception versus to-do list versus the increasingly urgent need to bank more than eight hours sleep a night. You can only fit so much into a sixteen-hour day. This week, unfortunately, has not provided opportunity for the glean and winnow of the internet which ends up with the half-baked confection that is your soar-away Saturday Swipe.

To put it another way—no linky madness this week, chums. Instead, let me open up and talk in a freeform way about time, roughly ordered into five short segments.

Boy, I know how to sell it, don’t I?


Continue reading Five Minutes

A Little Light Reading To Kick off 2025

I mentioned last week that my involvement in Dingtown’s longest-running writing group Reading Writers (other groups are available—we have no problem with competition) has deepened this year as I amble gently into the role of elder statesman. I’m prouder than ever of our merry band, and the quality of work I see in our monthly manuscript nights and competition entries fills me with warmth and pride.

I’m not a stand-back member by any means, regularly getting stuck into presentations, event management and entries for our twice-yearly themed competitions. But, my friends, there is a complication, one which I couldn’t really vouchsafe for any other aspect of my life.

I think I’m getting too good at this. I have regularly been a prize winner, but in 2024 I won top billing for both the spring and summer contests.

Immediate clarifications required. RW competitions are overseen by a judge from outside the group, and submitted anonymously. There’s never been any accusation of rigging or undue influence—what would be the point? It’s about the work, not the glittering prizes on offer. I’m not desperate enough for a £20 Amazon voucher to risk my integrity and reputation.

This puts me in a bit of a difficult position. The sporting thing to do, surely, would be to withdraw, at least temporarily. If I do, then I can already hear the derisive jeers of ‘gee thanks for giving us mere mortals a chance, oh mighty wordsmith!’ Damned if I do etc etc. I’ve got until March to figure out what to do. I guess I could write a story and hold it in reserve in case we need an entry to make up the numbers—actually, that might be worse.


Here are the two prize-winning stories what I wrote in 2024. I’m very proud of both. For context, the prompt for The Interstice was a set of photos ‘found’ on an old SD card by judge Damon Wakes of the abandoned Childs Hall at Reading University. Rotting urban infrastructure, which informed the mood of the piece. Hercule came from Julie Cohen’s theme of ‘talking parrots’. I don’t think I need to elaborate further.

I hope you enjoy them. Heads up: The Interstice is a horror story, which includes imagery some readers may find disturbing. Hercule was performed by yr humble etc as part of the 2024 Reading Writers Autumn Competition evening with sub-‘Allo ‘Allo French accents, which those present may have found offensive.

The Interstice

Hercule

One last thing, which I’ll shout about again closer to the time. Reading Museum is currently running an exhibition called Art Stories in the John Majeski Gallery, which teams recent acquisitions to the collection with short pieces from local authors. Reading Writers is very strongly represented, and I’m in the mix too.

On February 1st, some of the writers and artists involved in the project will be meeting each other and anyone who fancies coming along. There will be readings. There may be emotions. It should be a fun afternoon. 2 till 4 pm. Say you’ll come.


I’ll Outro with one of my most-played tracks of 2024, which also serves as a reminder of new Swipery next week. Yep, we’re right back to it.

See you next Saturday, thrill-seekers.

Another Friday the 13th

At the Reading Writers Winter Social this week, a conclusion was reached – we are in the December doldrums. Consider: it’s been nothing but Christmas since the first of November. You can see the pinched tension in the eyes of every retail worker following six solid weeks of Now That’s What I Call Christmas playing at heavy rotation level on the store stereo. This week is peak works do, making it nearly impossible to pop out for an impromptu bite to eat or quick pint without a crush and a twenty minute wait at the bar. And we’re still two weeks away from the main event. It’s not surprising we’re all suffering from shell shock.

Of course, as I mentioned a couple of weeks ago, this is old news for us December babies. We are sadly doomed to play second fiddle to everyone else’s good time. That’s if we’re even considered at all. I have dark memories of birthday drinks where a tiny minority (and on one particularly bleak occasion, no-one) showed up. So much for your special day. And folks wonder why I get grumpy at this time of year.

And this is just the background to the sad truth about every birthday, which becomes ever more apparent once you hit your half-century. You start to hear the clock ticking in lockstep with the creak of your bones and the twangs and clunks coming out of your muscles. One step closer to the grave. Here’s a card and a ten pound TK Maxx voucher. Happy bloody merry.

Oh look, this makes me sound like Scrooge on steroids. I know I’m not the only one who struggles at this time of the season for whatever reason, and melancholy in December is hard-wired into us as the weather turns and the nights overtake the days. But I have to be honest, forced jollity never sits well with me. I don’t look good in a Santa hat and have a low tolerance for carols.

But I am also happy to let others get their jingle on. I internalise my humbug. And of course there are brighter spots. After all, I love Cheeselets and Christmas Pud and day-drinking. Seasonal survival tactics mean leaning into the stuff I enjoy, and away from Whamageddon and dreadful jumpers and the tired argument about whether Die Hard is a Yuletide movie. No thanks. Pour me another port, pass the Celebrations and put Bad Santa on.

Would I feel differently about the whole situation if I was a June baby? I don’t think so. Although I enjoy the excuse to cocoon (I still have yet to receive a reasonable explanation for why winter hibernation is not an option) I prefer warmth and sunshine and greenery. When TLC and I were first married, we’d regularly go on winter sun holidays to the Canary Islands and Ibiza. I miss that. Gintonics on a sunny balcony overlooking the sea in February? Dozing by the pool with a good book while the storms lash at jolly old England hundreds of miles away? Come on, what’s not to love?

But you have to play with the hand you’re dealt, and mine is a hard thirteen. So I’m refusing to mope or gloom this year. Plans are in place. We’re spending the birthday night in a hotel, enjoying a nice meal, and seeing the lights in That London. Cocktails will be ordered. Sure, it’ll be busy. Yes, it’ll be expensive. But it’ll be me and my very love, finding the joy in our own quiet way. And what could be more Christmassy than that? Look, it could be worse. I could be like my sis-in-law Sarah or pal Kate –  a Christmas Day or New Year’s Eve baby. Now that really would suck.

Sorry, both. But I will be there for your celebrations. We children of the dark times have to stick together.

To finish, let’s play the only Christmas song which accurately portrays my feelings about this time of year. It’s become traditional to have it as the Outro for the last post before X-Day, but let’s move things forward a week or so. .

See you next Saturday for the last Swipe of the year!

Time, Shepherd’s Pie and more excuses.

This week I’m going to be a bit looser, a bit more personal in my approach to the newsletter. For one thing, I’ve been attempting a social life, so not had much time to trawl for links. For another–well, it’s good to mix things up sometimes. Grab a cuppa and a slice of cake and let me tell you about my week.

Continue reading Time, Shepherd’s Pie and more excuses.

Tarot Poetry as an excuse.

By the time you read this, TLC, Harvette and I will be heading north, up to a real happy place for us—Coniston. As such, normal service has been interrupted for the week. However, as I hate to leave you all hanging, a bit of a free form infodump to keep you all up to date.

To start, and for background, here’s a primer on what we’ll be up to this week, based on our last visit to the Lakes two years ago.

Up On Irish Row

Meanwhile, the Autumn/Winter term at Reading Writers kicked off on Wednesday with a session on the craft and publication of poetry. Which sure yes OK, sounds a little dry. In practice, with the expert guidance of actual poet Katherine Meehan, the evening was a warm and joyful experience. Geeky, yes. It’s a room full of writers talking about writing, after all. Another one of my happy places.

Anyway. There was a prompt writing exercise at the end of the night. Katherine passed out tarot cards and over the course of three exercises, teased us into writing some pomes.

Here’s my card.

And here’s what I came up with.

My father told a story
Of a garden constellation
That he found one golden autumn
In a corner of his field

Seven stars all in a cluster
Scattered all across the spinach
And he stood and contemplated
His bizarre celestial yield.

So he hung them in a garland
Up above the farmhouse lintel
And they shone there till the skies fell
And the heavens brought them home

So we toil and work and suffer
But the memory keeps us shining
Of the stars my father brought us
From the great celestial dome.

So. Yeah. that happened. I’m a poet now.


A few life notes.

The best thing we ate this week was a sneaky little weeknight gnocchi hack from the New York Times. Do not, for the love of all things holy, use brussel sprouts. Broccoli works brilliantly. Take the time to get the gnocchi crispy. It’s well worth it.

Gnocci and brown butter

We’re watching season 2 of Colin From Accounts and season 375 of Taskmaster. TLC has got into the Aimee Lee Wood and David Morrisey comedy Daddy Issues, which is utterly hilarious. I’ve been notified that the Apple+ show Bad Monkey is showrun by the guy behind Ted Lasso from a novel by Carl Hiassen, so that will need watching. The weather is closing in. It’s telly time.

Prime Reading continues to be a source of useful comics goodness. I’ve just found out that all ten volumes of Jason Aaron and R. M. Guéra’s Scalped is up on the service. A black-hearted, blood-red noir set on a Native American reservation, it’s tight, sharp, twisty and nasty—you know, in a good way. Brilliantly written and illustrated, moves like a truck, kicks like a mule oh look you get the idea. If you enjoyed Justified, you’ll frickin love this.

Oh, and I have a low-key obsession to share.

This is apparently a thing on the TubeGrams…

Which naturally brought me here. Delicious.

And we Outro on a high. An utter gem of British variety programming from the 70s, please enjoy Marti Caine tearing the room up with her disco version of a folk rock classic. You won’t be feelin’ low after this.

See you next Saturday.

Twenty Good Things About The ‘Ding

Over the August Bank Holiday in 2004, TLC and I packed up everything we’d somehow squeezed into a little end-terrace Victorian two-bed house in East London, and lit out for the sticks. The decision to move was partly to do with work—C’s job was relocating out of London and we needed to find a place within shooting distance of the Oxfordshire science zone near Harwell.

The main reason? We were done with the Big Smoke. Too crowded, too noisy, too dirty too—much. We needed a reset. It was time to go west, where the air is clean. We needed to breathe again.

So we looked at a map, drew some lines and circles, figured out the perfect midpoint between where C and I needed to be for work.

Slough.

We reconfigured.

A bit more research and we settled on a big town with a big heart twenty miles west of Betjemen’s bete noire, straddling a river and a canal. A couple of visits and one very fortuitous twist of real-estate fate led, six months after we started looking, to a bulging-at-the-seams Nissan Micra pulling away from Woodville Road in Walthamstow for the very last time, as R.E.M’s Leaving New York synchronistically rolled up on the car radio.

That was twenty years ago, and we’ve never looked back. Reading is our home now, in a way London somehow never was. We have built a life for ourselves here, and although it doesn’t have all the facilities that a big city can offer, Dingtown has a big double handful of gems which give it a bit of a hometown advantage. In honour of two decades in a town called Ding, here are twenty reasons we like it so much.

Dig in. Here we go.

Continue reading Twenty Good Things About The ‘Ding

Harvette

I have a new love. She is a stylish blonde who garners admiring glances whenever we’re out together. She moves with elegance and grace. She is warm and soft to the touch. She sings a little two-note song when I slip into her in the mornings…

Look, she’s a car, alright? To be precise, a 2024 Honda HR-V in sand khaki. Our first new ride in twelve years. The end result of 18 months of planning, and wishing and thinking and saving.

Milady.

Why now? Well, after we paid off The Big Debt, we figured we owed each other a treat. And I drive getting on for two hundred miles a week for work. An upgrade to a more comfortable, economical and modern primary mode of transport seemed like a nice way forward.

After over a decade in our old whip, the change was a steep learning curve. Modern cars are—different. Science-fictional. The first weekend spent with Harvette was nervous, as we got to grips with all the strange noises and lights, the toots and whistles as she gently showed us how she liked to be handled. Also, she’s bigger and wider than the Nissan Note we’d pulled over 100,000 miles in. All of a sudden the road through Sonning seems very narrow indeed.

Running in a new car is a lot like learning to drive all over again. Where’s the fuel tank lid? Where’s the fuel tank lid release? How do I put on the rear window wipers? All the muscle memory accrued through twelve years of Note ownership went out the window in moments. Reversing onto the drive suddenly becomes a nervy exercise in angle management which, to be honest, the fancy reversing camera isn’t really helping with. I’ll be grateful for it soon, I’m sure, but for now I’ll stick to mirror, signal, manoeuvre.

A lot of research went into our decision. Like, a lot. I became very familiar with the work of Mat Watson of Carwow on YouTube, who is the most approachable and entertaining of motoring journalists. It’s a tough gig, though. Because one thing I immediately noticed once I started digging into our shortlist was that there are very few genuinely bad cars on the market anymore. Sure, there are lemons to be had, but in general if you’re buying new or nearly new, you will struggle to find a car that isn’t comfortable, easy to drive and stuffed with safety features.

Which means that, when reviewing a car, it’s tough to find things to complain about. If you want a perfect definition of first-world problems, look at motoring vids and wait for phrases like ‘scratchy plastics’ (in other words, slightly cheaper finishes on the interior surfaces), gripes about the number and size of cup holders, or rage at the amount of USB-C plugs available. If the worst complaint you can find about a new car is how long it takes the powered boot to open or that it’s a bit noisy when coming up to line speed on the motorway (both grumbles pointed at the HR-V as major reasons not to buy) then frankly, you’re barrel-scraping.

Let’s talk a little more about the safety measures. Most new cars now have more radar sensors and cameras than nuclear submarines. You drive in a bubble of radio, an envelope of security which gives fair warning if anything intrudes.

And I’m all for it. My view after six years of driving into work is that everything else on the road is out to get you. You will be aggressively tailgated if you dare to travel at national speed limit in anything other than the inner lane. People will decide to pull in front of you with half a car-length’s distance then slam on their brakes. In urban situations, pedestrians with their heads in their phone and earbuds in will wander out into the road in front of you without looking up. All of these have happened to me this week, and I thank the full Honda Sensing suite of safety refinements for keeping me out of shunts and crashes. It’s crazy out there. You need all the help you can get.

I’ll be frank. I want a car which makes my commute and everyday travelling needs simpler, easier and less of a chore. In this, Harvette is a star. On the motorway, firing up adaptive cruise control and lane-assist means she very nearly drives herself. I long for the day when I can roll into the back of my motor, say ‘take me home, sweetie’ and be chauffeured back to bed. Autopilot on Teslas or California’s self-driving taxis don’t do the job but, based on the technology available to us here and now, the dream is not that far away. Take the driver out of the equation and road traffic accidents drop to nil. The vehicles aren’t the problem, it’s the numpties behind the wheel.

So why Harvette? That’s a question with two answers. To be honest, we made the choice when we first started looking at cars last year. I drew up a shortlist which TLC quietly decimated. The cars I’d picked were too big for her. But, after she had summarily dismissed the Honda CR-V (which is, to be fair, a big lump) she spotted its smaller classmate. Within three minutes of settling into the seats, enjoying the high, wide views and cooing over the soft-touch steering wheel, we were smitten. And to be honest, every car we looked at after that didn’t have the warm fuzzies we got from the HR-V. A test drive this February settled the deal after a nervous wiggle around the twisty B-roads around Swallowfield, and we signed off on finance before Easter.

It’s all in the gut, I guess. If you drive, you know what sort of car suits you. Neither of us are petrolheads or speed demons. It’s nice to have a car with the legs to get you out of trouble when a three-lane trap of caravans and Amazon lorries is closing in front of you, but we don’t believe in monstering it. Reviews of the HR-V highlighted how it was built for people who didn’t care if their car was a bit—you know, boring.

That’s us, Readership. Target market. We want a decent boot. We want fold-flat back seats which also, cleverly, flip up like theatre seats when you have a big plant to bring back from the garden centre. We want a smooth and elegant ride. Who needs to blast when you can cruise?

And yet. Honda are riding high in F1. The Honda Civic regularly breaks lap records on the Nürburgring. And Harvette will pull 0-60 in under nine seconds—quicker than the 80’s hot hatches so many car journalists revere. We were looking for a boring, practical car. We ended up with a speedy looker. And that colour! It’s sort of champagney with a hint of green. According to the DVLA, it’s ‘beige’. Heathens.

So why Harvette, part two? Well, the name was always going to be Harvey (HR-V, come on, keep up) until Darren at Marshall Honda referred to the test car in feminine terms. After that, well, we didn’t want to misgender. And Harvette sounds like a cool 50s motoring marque that only the real nerds know about. She has her own personality, we feel. A classy lady with a practical bent but a quietly wicked sense of humour. And she really does toot out a little tune when I start her up in the mornings. ‘Hi, Rob’ she says. ‘Morning, sweetie’ I reply.

God it’s pathetic.

In summary, then. We bought a new car. I like it a lot. I’ve been boring everyone I know about it, so now it’s your turn.

And this is why we will never charge for content on Excuses And Half Truths.

See you next Saturday.