It looks like a lot of people will be getting a tablet for Christmas, and if you're a comic fan this is good news!
Continue reading The Comics You Should Be Reading With Your New Tablet
It looks like a lot of people will be getting a tablet for Christmas, and if you're a comic fan this is good news!
Continue reading The Comics You Should Be Reading With Your New Tablet
It was a day of firsts, in all kinds of ways.
Next Saturday, you have the chance to see me in public, reading from one of my Dead Files stories.
Clive’s Best Of FrightFest continues with his Top Five. Brace yerself. There’s some shockers in here. Continue reading The FrightFest Files: Ten Horror Films To Watch – Part 2
We have a couple of weeks to go to Halloween, so in the spirit of the season I thought I’d talk horror films. Continue reading The FrightFest Files: Ten Horror Films To Watch – Part 1
The big problem with adapting any popular comic book hero for the big screen is the huge amount of history that needs to be addressed–or at least acknowledged. Continue reading Justice At Last: X&HT Saw Dredd
Right-wing radio host and all-round screw top Rush Limbaugh thinks that the new Batman film has an explicit anti-Republican message. His reasoning? The villain of the piece is called Bane, and Presidential nominee Mitt Romney made his fortune through a company called Bain Capital. It's just all so clear and simple.
We shouldn't laugh too loudly at Limbaugh, easy as it might be. In some ways he's on the money. The Dark Knight Rises has plenty to say about power, corruption and lies. But as with all of Christopher Nolan's films, things are never as straight-forward as they appear.
The spoilers after this point are numerous and mighty. Be warned.
When you start making film, you come to realise very quickly (or at least you do if you have the faintest scrap of self-awareness) that the auteur theory is bullshit. The very idea of a film being “by” one person is simply untrue.
Continue reading Introducing The Band: Against The Auteur Theory
Superheroes are mythology. They stand above us, their concerns otherworldly, epic. The fate of worlds rests on their shoulders. They have little time for us, the people they pledge to protect. We get in the way. We’re cannon fodder. However much they claim to care, superheroes pledge their fealty to larger concepts than we can embody. They owe allegiance (and often claim ownership) to flags, cities, whole worlds. The people that give life to those ideals are messy little details, and boy does it ever get annoying just when you’re about to deliver the coup de grace to Dr. Villain and all of a sudden there’s a bus full of schoolkids that’s about to drop off a cliff.
And heaven help any mortal that a superhero chooses as a companion. A life of peril and an early, messy death awaits. The flimsy protection of a secret identity is no help once the mask inevitably comes off. I could reel off a loooong list of companions, wives and lovers that have lost their lives while their super-powered paramours have wept a single, perfect tear and moved on to the next battle.
And goddamit, Avengers Assemble does nothing to break that poisonous cycle.
(Are there spoilers after the cut? Are there EVER, True Believer!)
Continue reading Gods And Monsters – X&HT Saw Avengers Assemble
If you had to pin me down, knees on my shoulders, threaten to flob in my mouth, and get me to confess to the kind of film I like more than any other, of course I would thrash and scream, and dissemble, and throw out some bullpucky about French crime movies of the early sixties, about Tarkovsky, Joderowsky and Kurismaki, but sooner or later, probably at the point where you start tickling me, I’d have to fess up and say it’s cheap, fast and dirty early eighties SF that really does it for me.
And that, Readership, is why I loved Lockout.
(as ever, ‘ware spoilers.)