The April Speakeasy: Concept Album Special!

As is appropriate for a podcast about the concept album, BEHOLD our most epic Speakeasy yet. Over two hours of chat as Rob, Clive and special guest writer Stuart Wright discuss that most derided of formats and find a few gems… and yes, a couple of turkeys.

Also, our 50 Second SoundCloud Challenge covers Skweee, Moombahton and other genres you never knew existed!

Here’s the Spotify playlist of the albums we’re discussing:

and the one album not on Spotify: The Lamb Lies Down On Broadway!

and a link to Stu’s site…

Britflicks: Stuart Wright talks film!

The December Music Speakeasy


speakeasy December

https://excusesandhalftruths.com/wp-content/uploads/2013/12/december-music-speakeasy1.m4a

In a bare-faced attempt to up the ante, Rob and Clive invite The Little Unsaid, AKA John Elliott, into Studio 2A for some musical shenanigalia. John performs a new song, and covers tracks by Nick Cave and Atoms For Peace.

John also joins us for a robust discussion on the merits of and surprising facts around the world of the cover version. Rob and Clive reveal the music blogs they can heartily recommend (and the ones that they’ll cheerfully never go near again) and guest sound engineer Alex Purkiss shows us up with a radical uptick in sound quality over the bits he’s in charge of. Endearingly shambolic is the way we roll, wise guy! Stop making us look bad!

All this and the usual level of Z-grade pun-slinging and punditry from the crew that put the K in kwality.

The Little Unsaid

The Music Blogs:

NME – nme.com/newmusic

Pitchfork – pitchfork.com/tracks

No Country For New Nashville – nocountryfornewnashville.com

Top House Music Blog – tophousemusicblog.com

Breaking More Waves – breakingmorewaves.blogspot.co.uk

The Von Pip Musical Express – Track of the Day – thevpme.com

Crack in the Road – crackintheroad.com

Real Horrorshow – horrorshowtunez.com

Cruel Rhythm – cruelrhythm.tumblr.com

Popjustice – popjustice.com

Here’s John recording his music for us. Note the professionalism of the studio setup. An upturned bin serves so many purposes…

john studio

and for bonus hilarity, the moment when he realised just what he’d let himself in for…

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Tales Of The Black Meadow

An evening of hauntology to launch a great new exploration of the unexplainable…

To Reading Library I stepped my way. I had received an invitation from Chris Lambert, host of last year's Z-Day and a Dead Files colleague. He was launching a new venture–a literary and musical examination of one of the North of England's strangest phenomena.

 

North of R.A.F. Fylingdales, on the edge of the Yorkshire Moors, lies a place known locally as the Black Meadow. It is a place that has been the nexus of folklore, songs and stories for a very, very long time. Strange things happen in the Black Meadow. There is a mist that will rise from the woods even on a clear and cloudless day. There are things in there, the stories say. A man made out of rag and bone. Dancers with horses heads and men's bodies. And a village that will appear and disappear without a trace.

The note sent by Lord Brightwater to a petitioner as the Royal Commission was set up. It would come back to haunt him...

 

The Black Meadow has devoured many souls over the centuries. The songs and stories that have developed in the local area warn against the place and even now, should the mist rise, people will not leave their houses until it has dissolved again. It is these disappearances that have sparked interest over the decades, with a Royal Commission in the 1930's under Lord Thomas Brightwater tasked with the investigation of the mysterious incidences. That inquiry was plagued with controversy, and Brightwater abandoned it, and his political ambitions under a cloud of opprobrium.

In the late 1960s Professor Roger Mullins of the University of York picked up where the Commission had left off. His initial exploration of the folklore around Fylingdales led him in strange directions, and his research took an increasingly esoteric turn. He disappeared in 1972, and he has never been found. The Black Meadow has a way of keeping its secrets to itself.

Mullins, with the radomes of R.A.F. Fylingdales in the background.

 

Or perhaps not. Mullins left behind a stack of research material that have formed the basis of this new project. Chris, along with musical collaborator Kevin Oyston, have put together a package that explores the folklore that has formed around the phenomena of the Black Meadow. Chris's book of tales, beautifully illustrated by Nigel Wilson, gathers many of the best known tales and poems in a neat little volume. Meanwhile Kevin has taken on the musical side of the legend, collating the songs and ballads that are regularly sung in the taverns of the area–songs that will reliably reduce a room to silence, and many of the listeners to tears.

The launch evening was a huge success. A packed room enjoyed a presentation of the legend and its history, along with readings of some of the poems, and a dramatic re-enactment of the tale of The Devil and The Yoked Man.

It seems, however, that the more you try to explore the phenomena of the Black Meadow, the less clear it becomes. You become mist-blind, and the truth slips through your fingers like fog.

 

If you'd like to find out more about the Black Meadow, Chris's book is available from Amazon. Kevin's music, which includes a remastered version of a 1978 Radio 4 documentary on the phenomena, is available through Bandcamp as download or, if you insist, CD (this does contain a 4-page booklet with new art and a preface from writer and hauntology fan Warren Ellis, so the physical form has that going for it).

The Book Of The Black Meadow

The Music Of The Black Meadow

The Brightwater Archive, which gives more information about the Black Meadow, is open to the public at http://brightwaterarchive.wordpress.com/. Go more deeply if you wish. But for God's sake, stay out of the mist.

 

(Illustrations courtesy of The Brightwater Archive, apart from the photo of Prof. R. Mullins, reprinted with permission of Prof. Philip Hall of the University of York.)