Another week down. The shops reopened, but frankly we’re happy behind the walls of our compound, letting all the goodies we need come to us. Queueing, we have decided, is not our bag. We may never shop in the old-fashioned way again. Anyway. Let’s do this. Now is the time. Here is the place. This is The Cut.Continue reading The Cut – Issue 6
It’s Friday, and the world is changing faster than we can keep up. Thank goodness The Cut is here to help you through the confusion, right?
(There is a distinct possibility increased confusion may result from reading this despatch. We refer you to the terms and conditions in the sidebar.)
Let’s begin by addressing the obvious main story of the week. I could fill the whole issue with links and stories relating to the murder of George Floyd and the fury it sparked. The thing is, we here at The Cut are working from a position where lack of knowledge stands in the way of being able to comment constructively. Instead, we intend to quietly learn more, leaving space open for other more appropriate voices to be heard. There are many resources out there if you want to educate yourself. We found this freely-distributed Google Doc to be of use.
That being said, we feel with our food remit we can at least bring more light onto the ongoing danger to a major BAME community resource in the UK. Nour Cash And Carry has served the people of Brixton for twenty years, occupying a prime spot that allows customers in from both Market Row and Electric Avenue. The market’s landlord, property developer and EDM artist (yes, really) Taylor McWilliams, claims the site is needed for a new electricity sub-station and intends to close it, despite input from the power company that other sites are available. To the community who depend on Nour, this seems like just another example of outside money muscling in where it’s not wanted. More on the story from Brixton Blog—
We’ll close out this opening section with a nod to artist and thinker Austin Klein, who provides a handy road map for us in the days ahead…
Moving on. Art crit site Exmilitary have dropped a set of four free-to-stream films on the theme of the Eastern European Apocalypse. If, like us, you have a penchant for slow, surreal Soviet-bloc SF, you’re in for a treat. The star of the group is obviously Tarkovsky’s Stalker, but we’d also tag Żuławski’s On The Silver Globe. Dense, chewy and very good for you.
This article from Film School Rejects on the colour palette of director Michael Mann is full of fascinating detail on how he achieved his signature look. We have particular interest in the art of colour grading for film and this ticked a lot of our boxes very hard indeed.
We like to give you at least one story with the capacity to hinge your jaw wide open. This week, a tale of a commercial transaction gone ‘orribly wrong. Read to the end.
Small town America seems to be the place where surreal crime and dark secrets are hiding around every corner on Main Street. Seems to us the following list would be of use if you’re ever going to get the chance to do that iconic road trip—just so you know which places are really not safe to pull in for a refreshment break…
We finish this section with a tale of experimentation in the furthest realms of the human experience, a particular kind of toad and an actor with a very niche side-hustle. The headline is a work of journalistic art all by itself.
Time to raise the tone. Here’s the literary portion of our program. A genuinely fascinating look at how The Situation is affecting upcoming book releases, from plot ideas to the simple facts of a changed social landscape. Popular thinking currently believes dystopian fiction is on its way out, as we’re living a slow-motion collapse on a daily basis. We at The Cut are reading more SF than ever, reveling in the notion of characters not having to social distance or chatting in a space tavern over a foaming pint of Arcturus ale. Of course, as ever, we’re living in William Gibson’s world.
We were talking last week about vertically-scrolling web comics. There are many good ones out there, but we particularly recommend My Giant Nerd Boyfriend. Written and drawn in a pleasingly loose Kate Beaton-esque style by a tiny Malaysian cartoonist who calls herself Fishball, it’s a slice-of-life journal finding humour in the life she shares with The Giant Nerd Boyfriend of the title. It’s funny, touching, occasional moving but eminently scrollable. We think once you start you won’t be able to stop.
And finally. This fun cartoony overview of the economics and marketing of yer actual high-seas piracy gets the balance of humour to information smack on, and therefore makes you feel like you’re learning while laughing. Do check them both. You’ll feel smarter for it.
Oh, finally finally. A new WROB show went up yesterday, in which host Rob talks about his life as an introvert while providing a themed soundtrack. He put a lot of heart in on this one, Readership. Tilt the guy an ear.
The Exit Music this week comes courtesy of The Raconteurs. This hour doco of a day spent at the legendary Electric Lady studios has lots of fun moments, as the band work up a cover of Blank Generation before a short gig in the evening. Hosted by that most rock and roll of film directors Jim Jarmusch, it’s a fun insight into the process of covering an iconic record. If you’d rather cut straight to the live stuff, skip to 20 minutes in.
That’s all from us this week. Stay safe, keep your head straight and, to quote Jim J from the music link above, don’t let the fuckers get ya.