Bookworm – EXCUSES AND HALF TRUTHS

The Story Of Sentience

Stop me if you think you’ve heard this one before. There’s this guy who works with computers, a software developer. As part of his duties, he has to interrogate the equipment, a quality control pass to make sure the program is working within normal parameters. He discovers, or realises, or believes, his particular piece of software is not only over-performing—it has developed a soul.

The Cut Season 2 Episode 24

By the time you get this, we will be off on our second team getaway in just over a month. With the potential risk of the Delta Variant (now that’s the title for a seventies SF movie if ever we heard it) threatening to scupper the easement of restrictions, we figured we’d better take the chance while we had it. Therefore, expect a lighter Cut next week.

However, it’s business as usual for now. We’re looking at the joy of the SF ensemble cast, barbecue sauces to die for and how much skill it takes to make a ton of mistakes.

This now here time place yes Cut.

The Cut Season 2 Episode 20

Happy birthday to us! We’re having cake and pop. You’re having… well, much the same as ever, in a slightly extended form to mark our fifty-second episode in style. If you’ve stuck with us this long—thank you. Your patience and tolerance for our nonsense is appreciated. Sadly, things are unlikely to get any better, although we may attempt a tuck, nip and polish to enliven your reading experience. Or we may just clatter along in our ad-hoc ramshackle fashion until something drops off. It’ll be a ride, either way.

In our slap-up feed this week, we’re serving up no-knead bread, OKi Dogs and the juicy tale of the greatest thriller that never was.

Now is the birthday. Here is the cake. This is The Cut.

The Cut Season 2 Episode 18

Welcome to the fiftieth episode of The Cut! Begun as an exercise in sanity-preservation in the height of lockdown, we’re pleased to have kept the momentum going, sending our patent-pending brew of links and commentary without pause to our literally dozens of readers for all this time. Of course this means there’s an even bigger milestone looming up on the horizon in a couple of weeks…

This week, we ask important tongue-related questions, introduce you to The Witch of King’s Cross and sing a song for the man who took the loneliest flight of all.

Time check! Now! Location check! Here! This is The Cut!

The Cut Season 2 Episode 17

There are a few pots of seedlings on a warm, sunny windowsill at Cut Command. Tomatoes and a couple of kinds of chilies. Normally, the gardeneers in the office would simply buy plants to pot out in our little patch of ground out past the back door. This year they decided to try and grow from seed. The progress has been slow, a little worrying when we come in to find the plants have gone floppy for no good reason. But it’s such a nice feeling to see that dot of green on the surface of a pot appear, reach out and stretch into a new life, a new kind of potential.

That’s a metaphor for something, probably.

This week, how you can’t walk away from a memory on the internet (even when it didn’t happen), the trouble with vinyl and a real blast from the past.

See now this right here now, this is The Cut.

The Cut Season 2 Episode 16

We are yet to have a haircut. We have yet to drink a pint in the sunshine. We are shy and retiring creatures and the news footage of all those people and all that noise has put us into retreat a bit. It will come, perhaps this weekend. After all, we all look like versions of Doc Emmet Brown from Back To The Future now. We celebrate and congratulate those of The Readership who have taken their first steps into a brighter world. We hope to join you soon.

In the meantime, check out one writer’s post-Covid schedule, snag a primer on the weird world of government economics and join us in song as we say goodbye to a legend.

Here in this place, now at this time, you will find The Cut.

The Cut Season 2 Episode 15

Is it sensible to ignore a huge breaking news event, given that any response we give is liable to raise hackles?

Yes, Readership, we believe it is.

In this week’s ep, Britfunk and Prog bump up against a very large synthesiser. We look at the quiet still point of a noir classic and wonder just what the heck is up with Trump and Musk. And is Trump and Musk a fragrance brand we should look to market?

This time is adjacent to the place in which you will find The Cut.

The Cut Season 2 Episode 14

Happy Easter! We hope you’re finding the time and space to meet up with loved ones again in a responsible and socially distanced manner. It’s a strange time in which hope and dread become entangled—hope for a more normal future, dread of a sudden reversal. For now, we plan to enjoy the fresh air and company, feeling the kiss of the sun on our face as a substitute for the real thing.

This week—games you can fit on a business card, all manner of mayors and the importance of chairs in a well-loved science-fiction franchise.

Now is the here is the place is the time is The Cut.

The Cut Season 2 Episode 13

Doldrums. Holding pattern. Stuck in an unmoving queue. Days merge to weeks, weeks blur to months. Like a tanker on the Suez Canal, jammed in place, going nowhere. Sometimes, the closer you get to a sense of release, the more time slows. Zeno’s paradox, where you can never reach the finish line, however near it looms.

Anyway. Don’t mind us. We got all dreamy thinking about a quiet pint in a pub and the blues took hold. Once we get past Eggmas, things will look better. Hey, whaddya say we look at some links? This week, musical legends lost and found, a taxonomy of pasta shapes and the pub that came back from the dead.

Right here, right now, this is The Cut.

The Cut Season 2 Episode 10

+++BREAKING NEWS FROM THE ARTS DESK+++

As we hit the last lap on locking this week’s issue, news emerged regarding the graffitoe which appeared on the walls of Reading Gaol on Sunday evening. Following a week of fevered speculation, stencil-wrangler and prankster Banksy has confirmed they are to blame for the artwork. Many see the piece as a show of support from the influential street art collective for the ongoing campaign to turn the long-disused site into an arts hub. The references to Oscar Wilde’s stay are clear. We note with a smile that the work’s position, high up on a wall which is still government property, will dissuade the usual chancers, shysters and thieves which gather at the first sniff of easy profit from ‘buying’ it and denying access to a work of art which belongs to the people. As Reading locals and street art fans, we at The Cut are doubly delighted at this new addition to our already rich cultural heritage.

We now return you to our scheduled programming.

Now is the time. Here is the place. This is The Cut.