Category: comics

The Death Of The Dandy

It was sad, but not really surprising, to read about DC Thomson’s decision to finally shutter The Dandy. It must have been a decision that the normally pragmatic Scottish publisher was putting off, knowing just how unpopular it would be. Was it coincidental that the announcement came out the day after the end of the Olympics, when everyone was still in hangover mode? No, I like to think they chose their moment well.

The sad thing is, of course, that with the exception of a small core of comics nerds and nostalgists, it’s unlikely anyone really cared. As for The Dandy’s target audience–the ugly truth is that they moved on years ago.

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All Rise: X&HT Saw The Dark Knight Rises

Right-wing radio host and all-round screw top Rush Limbaugh thinks that the new Batman film has an explicit anti-Republican message. His reasoning? The villain of the piece is called Bane, and Presidential nominee Mitt Romney made his fortune through a company called Bain Capital. It's just all so clear and simple.

We shouldn't laugh too loudly at Limbaugh, easy as it might be. In some ways he's on the money. The Dark Knight Rises has plenty to say about power, corruption and lies. But as with all of Christopher Nolan's films, things are never as straight-forward as they appear.

The spoilers after this point are numerous and mighty. Be warned.

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A Swinging Time: X&HT saw The Amazing Spider-Man

Comics are soap opera. Characters don’t change. If they die, it’s hardly ever permanent. Their origins are constantly retold, reinforced, raked over for any new tiny scrap of resonance. Some critics have griped that The Amazing Spider-man, the fourth movie about Peter Parker and his penchant for going out in red Underoos, is a rehash of Sam Raimi’s 2002 film.

They’re missing the point. This kind of thing happens in the funny papers all the time. 

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End Of The Century – X&HT Read LOEG: Century 2009

A common complaint levied at Moore and O’Neill’s League Of Extraordinary Gentlemen books, especially in the later stages of the story that are chronicled in the Century stories, is their impenetrable metatextuality. 

It’s really easy to tie yourself in knots when you discuss LOEG. I mean, just look at that first sentence. Impenetrable metatextuality? Good grief. Way to lose an audience. Let’s try this again. In English. 

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Gods And Monsters – X&HT Saw Avengers Assemble

Superheroes are mythology. They stand above us, their concerns otherworldly, epic. The fate of worlds rests on their shoulders. They have little time for us, the people they pledge to protect. We get in the way. We’re cannon fodder. However much they claim to care, superheroes pledge their fealty to larger concepts than we can embody. They owe allegiance (and often claim ownership) to flags, cities, whole worlds. The people that give life to those ideals are messy little details, and boy does it ever get annoying just when you’re about to deliver the coup de grace to Dr. Villain and all of a sudden there’s a bus full of schoolkids that’s about to drop off a cliff.

And heaven help any mortal that a superhero chooses as a companion. A life of peril and an early, messy death awaits. The flimsy protection of a secret identity is no help once the mask inevitably comes off. I could reel off a loooong list of companions, wives and lovers that have lost their lives while their super-powered paramours have wept a single, perfect tear and moved on to the next battle.

And goddamit, Avengers Assemble does nothing to break that poisonous cycle.

 

(Are there spoilers after the cut? Are there EVER, True Believer!)

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Comics And Kony

Unless you’ve been living in a cave without any kind of wifi over the past couple of weeks, the name of Joseph Kony must be familiar to you. The leader of the Ugandan Lord’s Resistance Army, terrorist and psychopath, Kony is the subject of an awful lot of media attention–despite the fact that no-one really seems to know where he is now or what the LRA are up to.

I’m not here to discuss the film that brought Kony, however belatedly, to the world’s attention. I won’t mention the astonishing speed with which social networks helped it to go viral. I’m not even going to talk about the breakdown of the film’s director over the intense scrutiny over his motives and the finances of his production company, that led to his arrest for public nudity and masturbation. However hilarious that might be.

Instead, I want to look at two depictions of the Uganda that Kony has helped to create, both of which use comics to come up with very different takes on the situation, and on how it has created it’s own breed of monsters.

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