If you ever wondered about the value and power of political cartooning, wonder no more.
X-Men: Days Of Future Past. You’ve read the book. You’ve seen the film. Now hear the podcast!
Rob and Clive are joined by comic fan and Wolverine lookalike Graham Williams as we go in-depth and full-bore into the Claremont/Byrne classic. Remember: in this episode, everybody dies!*
*disclaimer: no-one dies in this episode.
Superheroes are notorious for not staying dead. Continue reading Killing Logan
Gosh, it doesn’t feel like 365 days since I was last here, ruminating on times past and things to come.
THE OCTOBER SPEAKEASY: COMICS SPECIAL!
We love comics. We read comics. And in this edition of the Speakeasy, we talk about comics. At length.
We review the best new books that The Dice Of Fate allowed us to look at in Spetember, and take an extensive look at the career and works of Frank Miller: the good, the bad and the very, very ugly.
Plus we amp up the geeky with a D100 and generally do what we do. Read along, whydoncha?
Hootin’ Holleration! It’s the Funnybook edition of the X&HT Speakeasy!
A few bits of housekeeping: in an attempt to bump our professionalism quotient up from “endearingly ramshackle” to “barely competent” we are now available on iTunes! Click here to subscribe, and have our dulcet tones lick at your eardrums whenever you choose.
As a knockon from that, and in an attempt to keep the cashflow out of Hosepipe-ville, we’re moving away from Soundcloud. This blog is now the home of the Speakeasy, and we’ll be migrating the earlier shows into a cohesive archive in the immediate future. Hope you like our new direction.
If there's one thing I've learnt from many years of watching superhero movies, it's this: manage your disappointment. Continue reading Masked And Anonymous: Rob Saw Iron Man Three
It looks like a lot of people will be getting a tablet for Christmas, and if you're a comic fan this is good news!
Ooyah! Further news from the beleaguered DC Thomson show us a story with a few more twists in it than anyone anticipated.
It was sad, but not really surprising, to read about DC Thomson’s decision to finally shutter The Dandy. It must have been a decision that the normally pragmatic Scottish publisher was putting off, knowing just how unpopular it would be. Was it coincidental that the announcement came out the day after the end of the Olympics, when everyone was still in hangover mode? No, I like to think they chose their moment well.
The sad thing is, of course, that with the exception of a small core of comics nerds and nostalgists, it’s unlikely anyone really cared. As for The Dandy’s target audience–the ugly truth is that they moved on years ago.
Unless you’ve been living in a cave without any kind of wifi over the past couple of weeks, the name of Joseph Kony must be familiar to you. The leader of the Ugandan Lord’s Resistance Army, terrorist and psychopath, Kony is the subject of an awful lot of media attention–despite the fact that no-one really seems to know where he is now or what the LRA are up to.
I’m not here to discuss the film that brought Kony, however belatedly, to the world’s attention. I won’t mention the astonishing speed with which social networks helped it to go viral. I’m not even going to talk about the breakdown of the film’s director over the intense scrutiny over his motives and the finances of his production company, that led to his arrest for public nudity and masturbation. However hilarious that might be.
Instead, I want to look at two depictions of the Uganda that Kony has helped to create, both of which use comics to come up with very different takes on the situation, and on how it has created it’s own breed of monsters.