We’ve had better weeks. Reading, our home town, was subject to an event now described as terrorist action. Three people died as a result. We are horrified, but not terrorised. We stand with all our friends and neighbours in this oddball place we call home, and look forward to seeing everyone in Forbury Gardens very, very soon.
Continue reading The Cut – Issue 7Category: The A To Z Of SFF
The A To Z Of SFF: R Is For Rogue One: A Star Wars Story
Rogue One: A Star Wars Story tells the story of the brave rebels that stole the plans to the Death Star and led us into the opening crawl of Star Wars: The Episode Four. Is it a story that needed to be told? Let’s just say that Rob and Clive… disagree.
Strap in. Frank exchange of views ahead.
The A To Z Of SFF: A Is For Anno Dracula
Kim Newman’s Anno Dracula books are wild, freewheeling takes on alternative history that that gleefully mash together fictional and historical figures to tell the story of a word where Dracula is real. A meta-fictional treat for anyone that likes their pulp. Rob and Clive certainly do…
The A To Z Of SFF: C IS For Class
After the Doctor saves the day and vworps off in the TARDIS, very little thought is given as to what happens next. Until now, that is.
YA spinoff Class pits a ragtag group of mismatched youths left in charge of a rift in space-time against alien threats. Nothing like a DW retread of the Buffyverse, then…
To be fair, Class is smarter and much more watchable than the setup suggests. Join Rob, Clive and Curiosity as they check out the pilot episode!
The A To Z Of SFF: D Is For Doctor Strange
The last Marvel movie of 2016 is a fun, psychedelic romp through the origins of the Sorcerer Supreme, Doctor Stephen Strange! Join Rob, Clive and Curiosity as they explore the world, the performances and whether or not we’ve found the last one of those pesky Infinity Stones…
The A To Z Of SFF: G Is For God Told Me To
The last of our Spooky SFF episodes celebrates a gritty slice of New York noir that twists and turns into a highly freaky slice of horror-tinged SF. From acclaimed low-budget film-maker Larry Cohen, this is a film that takes virtue from the lack of money. Cohen favours invention and good writing over special effects Sturm und Drang.
A meditation on identity, religion and family, God Told Me to is a powerful piece of work that really stays with you. A fitting end to our exploration of the horrific side of SFF!
The A To Z Of SFF: S Is For The Stone Tape
Onwards with Spooky SFF month, as we discuss a massively influential slice of hauntological freakiness: Nigel Kneale’s terrifying The Stone Tape.
It ticks all the boxes: 70s setting, shot on video, Radiophonic Workshop soundtrack. A sharply empathetic performance from Jane Asher helps to elevate this story, but the whole thing is deeply unnerving and still bloody scary.
This is what happens when you try to solve the science behind hauntings…
Includes the first instance of a new term from Rob: cathode-punk.
GUYSGUYSGUYS! The Stone Tape is on Cosmic VideyouTube! Dim the lights, pour yourself a scotch and indulge.
The A To Z Of SFF: S Is For The Sword And The Sorcerer
We continue Spooky SFF month with the bizarre gore-drenched fantasy-horror The Sword And The Sorcerer.
It’s a formative experience for both our futurenauts for various reasons (including a parental ban from Clive’s mum and dad). Master of exploitation Albert Pyun’s first movie, it features changes in tone rapid and extreme enough to give you whiplash. From swashbuckling to sadism, this movie has it all!
The A To Z Of SFF: L Is For Lifeforce
It’s October, which means Curiosity is skewing spooky. This month our over-excitable alien chum is feeding Rob and Clive titles with an extra layer of creepyplasma.
We start with Tobe Hooper’s Lifeforce–a deranged slice of Quatermass-style oddness with added nudity, exploding corpses and weapons-grade scenery-chewing. This one has to be seen to be believed, and even then you won’t believe what you’re seeing.
The A To Z Of SFF: L Is For Logan’s Run
No, we’re not talking about the 70s Michael York/Jenny Agutter film. Rather, we’re taking a look at the source material–the William F. Nolan and George Clayton Johnson novel. An entirely different, much darker but much more cinematic prospect. Which is frankly a lot more fun!
We believe the time is right to reconsider this cracking, pulpy take on a society that has shrugged off its humanity in favour of youth. Who needs another movie?
EXCUSES AND HALF TRUTHS 